Scott Oyster

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Everything Everywhere All at Once | ShotOnWhat?

Re-recording Engineer: Signature Post Sound

Everything Everywhere All at Once (2022)

Directed by: Daniel Kwan, Daniel Scheinert

Cinematography by: Larkin Seiple

Edited by: Paul Rogers

Cameras: ARRI ALEXA Mini Camera

Lenses: Atlas Orion Anamorphic Series Lenses, Hawk V-Lite Lenses, Todd-AO Lenses, Zeiss Master Prime Lenses

Editing System: Adobe Premiere Editing System

Ambulance | ShotOnWhat?

Stage Engineer: Signature Post

Ambulance (2022)

Directed by: Michael Bay

Cinematography by: Roberto De Angelis

Edited by: Doug Brandt, Pietro Scalia, Calvin Wimmer

Cameras: Red Epic Helium Camera, Red Komodo Camera

Lenses: Panavision H Series Lenses, Panavision T Series Anamorphic Lenses

The Men Who Stare at Goats | ShotOnWhat?

Sound Stage Engineer

The Men Who Stare at Goats (2009)

Directed by: Grant Heslov

Cinematography by: Robert Elswit

Edited by: Tatiana S. Riegel

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Feast of Love | ShotOnWhat?

Sound Engineer

Feast of Love (2007)

Directed by: Robert Benton

Cinematography by: Kramer Morgenthau

Edited by: Andrew Mondshein

Honor | ShotOnWhat?

Foley Mixer

Honor (2006)

Directed by: David Worth

Cinematography by: David Worth

Edited by: Will Raée, Mel Rodriguez III

Church Ball | ShotOnWhat?

Adr Mixer

Church Ball (2006)

Directed by: Kurt Hale

Cinematography by: William Webb

Edited by: Wynn Hougaard, John Lyde

The Matrix Revolutions | ShotOnWhat?

Sound Recording Engineer

The Matrix Revolutions (2003)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: Bill Pope

Edited by: Zach Staenberg

Cameras: Pan-Arri 435es Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

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