Aerial Digital Imaging Technician
Mission: Impossible - Fallout (2018)
Directed by: Christopher McQuarrie
Cinematography by: Rob Hardy
Edited by: Eddie Hamilton
Digital Imaging Technician: Paris Unit
Tomorrowland (2015)
Directed by: Brad Bird
Cinematography by: Claudio Miranda
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
Digital Imaging Technician
Le crocodile du Botswanga (2014)
Cinematography by: Stéphane Le Parc
Edited by: Frédérique Olszak
Cameras: ARRI ALEXA Camera
Digital Imaging Technician
Maintenant ou jamais (2014)
Directed by: Serge Frydman
Cinematography by: Pierre-Hugues Galien
Edited by: Céline Kélépikis
Cameras: Red Epic Camera
Additional Second Assistant Camera
Carnage (2011)
Directed by: Roman Polanski
Cinematography by: Pawel Edelman
Edited by: Hervé de Luze
Additional Second Assistant Camera
Poupoupidou (2011)
Directed by: Gérald Hustache-Mathieu
Cinematography by: Pierre Cottereau
Edited by: Valérie Deseine
Additional Second Assistant Camera
À l'origine (2009)
Directed by: Xavier Giannoli
Cinematography by: Glynn Speeckaert
Edited by: Célia Lafitedupont
