Visual Effects Supervisor
'Helstrom' Mother's Little Helpers (2020)
Directed by: Daina Reid
Cinematography by: Bernard Couture
Edited by: Hunter M. Via
Visual Effects Supervisor
'Helstrom' Viaticum (2020)
Directed by: Anders Engström
Cinematography by: Bernard Couture
Edited by: Kelly Stuyvesant
Visual Effects Supervisor
'Helstrom' The One Who Got Away (2020)
Directed by: Michael Offer
Cinematography by: Bernard Couture
Edited by: Brian G. Addie
Visual Effects Supervisor
'Helstrom' Containment (2020)
Directed by: Amanda Row
Cinematography by: Bernard Couture
Visual Effects Supervisor
'Helstrom' Committed (2020)
Directed by: Jovanka Vuckovic
Cinematography by: Christopher Charles Kempinski
Edited by: Kelly Stuyvesant
Visual Effects Supervisor
'Helstrom' Leviathan (2020)
Directed by: Sanford Bookstaver
Cinematography by: Bernard Couture
Edited by: Brian G. Addie
Visual Effects Supervisor
'Helstrom' Scars (2020)
Directed by: Bill Roe
Cinematography by: Christopher Charles Kempinski
Edited by: Hunter M. Via
Visual Effects Supervisor
'Helstrom' Underneath (2020)
Directed by: Cherie Nowlan
Cinematography by: Bernard Couture
Edited by: Kelly Stuyvesant
Visual Effects Supervisor
'Helstrom' Vessels (2020)
Directed by: Kevin Tancharoen
Cinematography by: Christopher Charles Kempinski
Edited by: Brian G. Addie
Visual Effects Supervisor
'Helstrom' Hell Storm (2020)
Directed by: Jim O'Hanlon
Cinematography by: Bernard Couture
Visual Effects Creative Director
Mandrake (2010)
Directed by: Tripp Reed
Cinematography by: Ken Blakey
Edited by: Tripp Reed
Visual Effects Supervisor
I Spit on Your Grave (2010)
Directed by: Steven R. Monroe
Cinematography by: Neil Lisk
Edited by: Daniel Duncan
Pre-visualization
I, Robot (2004)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Pre-visualization
X2: X-Men United (2003)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel