On-set Visual Effects Supervisor
House of Gucci (2021)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Claire Simpson
Cameras: ARRI ALEXA Mini LF Camera
Visual Effects Supervisor
Una famiglia (2017)
Directed by: Sebastiano Riso
Cinematography by: Piero Basso
Edited by: Ilaria Fraioli
Cameras: ARRI ALEXA Plus Camera
Lenses: Panavision SL10 10 mm T1.9 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens
Editing System: Avid Editing System
Visual Effects Set Supervisor
All the Money in the World (2017)
Movie
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Claire Simpson
Cameras: ARRI ALEXA XT Series Cameras
Lenses: Panavision Super Speed Lenses
Visual Effects Supervisor: On Set Rome Unit
Zoolander 2 (2016)
Directed by: Ben Stiller
Cinematography by: Dan Mindel
Edited by: Greg Hayden
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Plus Camera
Editing System: Avid Editing System
Visual Effects Supervisor: Metaphyx
20 sigarette (2010)
Directed by: Aureliano Amadei
Cinematography by: Vittorio Omodei Zorini
Edited by: Alessio Doglione
Cameras: ARRIFLEX 416 Camera
Visual Effects Supervisor
Night of the Sinner (2009)
Directed by: Alessandro Perrella
Cinematography by: Fabio Delle Fratte
Digital Effects Artist
I demoni di San Pietroburgo (2008)
Directed by: Giuliano Montaldo
Cinematography by: Arnaldo Catinari
Edited by: Consuelo Catucci
Digital Compositor
Trilogia II: I skoni tou hronou (2008)
Directed by: Theodoros Angelopoulos
Cinematography by: Andreas Sinanos
Cameras: ARRIFLEX 535 Camera
