Leigh Nemeth

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I, Frankenstein | ShotOnWhat?

Rigging Electrician

I, Frankenstein (2014)

Directed by: Stuart Beattie

Cinematography by: Ross Emery

Edited by: Marcus D'Arcy

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Water Diviner | ShotOnWhat?

Lighting Technician

The Water Diviner (2014)

Directed by: Russell Crowe

Cinematography by: Andrew Lesnie

Edited by: Matt Villa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision Primo Anamorphic Lenses

Wolf Creek 2 | ShotOnWhat?

Best Boy

Wolf Creek 2 (2013)

Directed by: Greg McLean

Cinematography by: Toby Oliver

Edited by: Sean Lahiff

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Series 46-230 mm T4.0 Lens

Red Dog | ShotOnWhat?

Best Boy

Red Dog (2011)

Directed by: Kriv Stenders

Cinematography by: Geoffrey Hall

Edited by: Jill Bilcock

Cameras: Red One Camera

Editing System: Lightworks Editing System

Swerve | ShotOnWhat?

Electrician

Swerve (2011)

Directed by: Craig Lahiff

Cinematography by: David Foreman

Edited by: Sean Lahiff

Cameras: Sony CineAlta F35 Camera

The Boys Are Back | ShotOnWhat?

Electrician

The Boys Are Back (2009)

Directed by: Scott Hicks

Cinematography by: Greig Fraser

Edited by: Scott Gray

Closed for Winter | ShotOnWhat?

Lighting Technician

Closed for Winter (2009)

Directed by: James Bogle

Cinematography by: Kim Batterham

Edited by: Denise Haratzis

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