Marc Steinberg

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Pirates of the Caribbean: Dead Men Tell No Tales | ShotOnWhat?

Digital Compositor

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Paul Cameron

Edited by: Roger Barton, Leigh Folsom Boyd

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Babysitter | ShotOnWhat?

Digital Compositor

The Babysitter (2017)

Directed by: McG

Cinematography by: Shane Hurlbut

Edited by: Martin Bernfeld, Peter Gvozdas

Cameras: Red Weapon Dragon Camera

Lenses: Cooke S4/i Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

The Adjustment Bureau | ShotOnWhat?

End Credits Graphics

The Adjustment Bureau (2011)

Directed by: George Nolfi

Cinematography by: John Toll

Edited by: Jay Rabinowitz

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

I Love You Phillip Morris | ShotOnWhat?

Visual Effects Designer: RhinoFX

I Love You Phillip Morris (2009)

Directed by: Glenn Ficarra, John Requa

Cinematography by: Xavier Grobet

Edited by: Stéphane Garnier, Thomas J. Nordberg

The Nanny Diaries | ShotOnWhat?

Visual Effects Editor: Rhinofx

The Nanny Diaries (2007)

Directed by: Shari Springer Berman, Robert Pulcini

Cinematography by: Terry Stacey

Edited by: Robert Pulcini

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