Digital Intermediate Colorist
Le militaire (2014)
Directed by: Noël Mitrani
Cinematography by: Bruno Philip
Edited by: Arthur Tarnowski
Cameras: Aaton XTR Prod Camera
Lenses: Zeiss Compact Prime CP.2 Distagon 21 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 28 mm T2.1 Lens, Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens, Zeiss Compact Prime CP.2 Planar 85 mm T2.1 Lens
Editing System: Avid Editing System
Digital Intermediate Colorist
The Colony (2013)
Directed by: Jeff Renfroe
Cinematography by: Pierre Gill
Edited by: Aaron Marshall
Cameras: ARRI ALEXA Camera
Colorist
Upside Down (2012)
Directed by: Juan Solanas
Cinematography by: Pierre Gill
Edited by: Paul Jutras
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Digital Intermediate Colorist
La Run (2011)
Directed by: Demian Fuica
Cinematography by: Jean-François Lord
Edited by: Demian Fuica
Colorist
Starbuck (2011)
Directed by: Ken Scott
Cinematography by: Pierre Gill
Edited by: Yvann Thibaudeau
Digital Intermediate Colorist
2 Frogs dans l'Ouest (2010)
Directed by: Dany Papineau
Cinematography by: Christian Begin
Edited by: Justin Lachance
Digital Intermediate Colorist
Maurice Richard (2005)
Directed by: Charles Binamé
Cinematography by: Pierre Gill
Edited by: Michel Arcand
Colorist
The Blue Butterfly (2004)
Directed by: Léa Pool
Cinematography by: Pierre Mignot
Edited by: Michel Arcand
Colorist
Mambo Italiano (2003)
Directed by: Émile Gaudreault
Cinematography by: Serge Ladouceur
Edited by: Richard Comeau
Rushes Colorist
Timeline (2003)
Directed by: Richard Donner
Cinematography by: Caleb Deschanel
Edited by: Richard Marks
Final Colorist
Set Me Free (1999)
Directed by: Léa Pool
Cinematography by: Jeanne Lapoirie
Edited by: Michel Arcand
Colorist
Sunrise Over Tiananmen Square (1998)
Directed by: Shui-Bo Wang
Cinematography by: Pierre Landry
Edited by: Donald McWilliams
