Colorist: Dailies
Clouds of Sils Maria (2014)
Directed by: Olivier Assayas
Cinematography by: Yorick Le Saux
Edited by: Marion Monnier
Colorist: Dailies
Rust and Bone (2012)
Directed by: Jacques Audiard
Cinematography by: Stéphane Fontaine
Edited by: Juliette Welfling
Cameras: Red Epic Camera
Digital Lab Operator
Amour (2012)
Directed by: Michael Haneke
Cinematography by: Darius Khondji
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Colorist: Dailies
The Stroller Strategy (2012)
Directed by: Clément Michel
Cinematography by: Steeven Petitteville
Edited by: Julie Dupré
Cameras: ARRI ALEXA Plus Camera
Lenses: Panavision PMZ 14.5-50 mm T2.2 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Colorist: Dailies
Poupoupidou (2011)
Directed by: Gérald Hustache-Mathieu
Cinematography by: Pierre Cottereau
Edited by: Valérie Deseine
Colorist: Dailies
The Conspiracy (2008)
Directed by: Antonio del Real
Cinematography by: Carlos Suárez
Edited by: Teresa Font
Colorist: 2012 Digital Remastering
Funny Games (1997)
Directed by: Michael Haneke
Cinematography by: Jürgen Jürges
Edited by: Andreas Prochaska
Cameras: Moviecam Cameras
