Distributed Aspect Ratio » 1.37:1

1.37:1 | 128 Titles

1.37:1 3.40/5 5 Votes

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A Midsummer Night’s Dream (1935)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 133 Minutes

Directed by | William Dieterle, Max Reinhardt | Cinematography by | Hal Mohr | Editing by | Ralph Dawson

Starring | James Cagney, Dick Powell, Ian Hunter

The Yearling (1946)

Motion Picture | 2D | Film Project | Color | 1.37:1 | 128 Minutes

Directed by | Clarence Brown | Cinematography by | Arthur E. Arling, Charles Rosher, Leonard Smith | Editing by | Harold F. Kress

Starring | Gregory Peck, Jane Wyman, Claude Jarman Jr.

Cameras | Technicolor 3-Strip Camera

The Informer (1935)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 91 Minutes

Directed by | John Ford | Cinematography by | Joseph H. August | Editing by | George Hively

Starring | Victor McLaglen, Heather Angel, Preston Foster

Cameras | Mitchell Standard Camera

Blood and Sand (1941)

Motion Picture | 2D | Film Project | Color | 1.37:1 | 125 Minutes

Directed by | Rouben Mamoulian | Cinematography by | Ernest Palmer, Ray Rennahan | Editing by | Robert Bischoff

Starring | Tyrone Power, Linda Darnell, Rita Hayworth

Cameras | Technicolor 3-Strip Camera

Joan of Arc (1948)

Motion Picture | 2D | Film Project | Color | 1.37:1, 1.85:1 | 145 Minutes

Directed by | Victor Fleming | Cinematography by | Winton C. Hoch, William V. Skall, Joseph A. Valentine | Editing by | Frank Sullivan

Starring | Ingrid Bergman, José Ferrer, Selena Royle

Cameras | Technicolor 3-Strip Camera

Shane (1953)

Motion Picture | 2D | Film Project | Color | 1.37:1, 1.66:1 | 118 Minutes

Directed by | George Stevens | Cinematography by | Loyal Griggs | Editing by | William Hornbeck, Tom McAdoo

Starring | Alan Ladd, Jean Arthur, Van Heflin

Cameras | Technicolor 3-Strip Camera

Shanghai Express (1932)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 82 Minutes

Directed by | Josef von Sternberg | Cinematography by | Lee Garmes, James Wong Howe | Editing by | Frank Sullivan

Starring | Marlene Dietrich, Clive Brook, Anna May Wong

King Solomon’s Mines (1950)

Motion Picture | 2D | Film Project | Color | 1.37:1 | 103 Minutes

Directed by | Compton Bennett, Andrew Marton | Cinematography by | Robert Surtees | Editing by | Conrad A. Nervig, Ralph E. Winters

Starring | Deborah Kerr, Stewart Granger, Richard Carlson

Cameras | Technicolor 3-Strip Camera

The Wizard of Oz (1939)

Motion Picture | 2D, 3D | Film Project | Black & White, Color | 1.37:1 | 102 Minutes

Directed by | Victor Fleming, George Cukor, Mervyn LeRoy, Norman Taurog, Richard Thorpe, King Vidor | Cinematography by | Harold Rosson | Editing by | Blanche Sewell

Starring | Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr

Cameras | Bell & Howell 2709 Camera, Technicolor 3-Strip Camera

Wilson (1944)

Motion Picture | 2D | Film Project | Black & White, Color | 1.37:1 | 154 Minutes

Directed by | Henry King | Cinematography by | Leon Shamroy, Ernest Palmer | Editing by | Barbara McLean

Starring | Alexander Knox, Charles Coburn, Geraldine Fitzgerald

Cameras | Technicolor 3-Strip Camera

Leave Her to Heaven (1945)

Motion Picture | 2D | Film Project | Color | 1.37:1 | 110 Minutes

Directed by | John M. Stahl | Cinematography by | Leon Shamroy | Editing by | James B. Clark

Starring | Gene Tierney, Cornel Wilde, Jeanne Crain, Vincent Price

Cameras | Technicolor 3-Strip Camera

A Farewell to Arms (1932)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 80 Minutes

Directed by | Frank Borzage | Cinematography by | Charles Lang | Editing by | Otho Lovering, George Nicholls Jr.

Starring | Gary Cooper, Helen Hayes, Adolphe Menjou

The Thief of Bagdad (1940)

Motion Picture | 2D | Film Project | Color | 1.37:1 | 106 Minutes

Directed by | Ludwig Berger, Michael Powell, Tim Whelan, Alexander Korda, Zoltan Korda, William Cameron Menzies | Editing by | Charles Crichton

Starring | Conrad Veidt, Sabu, June Duprez

Cameras | Technicolor 3-Strip Camera

Cleopatra (1934)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 100 Minutes

Directed by | Cecil B. DeMille | Cinematography by | Victor Milner | Editing by | Anne Bauchens

Starring | Claudette Colbert, Warren William, Henry Wilcoxon

Cameras | Mitchell Standard Camera

The Treasure of the Sierra Madre (1948)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 126 Minutes

Directed by | John Huston | Cinematography by | Ted D. McCord | Editing by | Owen Marks

Starring | Humphrey Bogart, Walter Huston, Tim Holt

Cameras | Mitchell Cameras

The Quiet Man (1952)

Motion Picture | 2D | Film Project | Color | 1.37:1 | 129 Minutes

Directed by | John Ford | Cinematography by | Winton C. Hoch | Editing by | Jack Murray

Starring | John Wayne, Maureen O'Hara, Barry Fitzgerald, Ward Bond

Cameras | Mitchell Cameras

A Place in the Sun (1951)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 122 Minutes

Directed by | George Stevens | Cinematography by | William C. Mellor | Editing by | William Hornbeck

Starring | Montgomery Clift, Elizabeth Taylor, Shelley Winters, Anne Revere

The Grapes of Wrath (1940)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 129 Minutes

Directed by | John Ford | Cinematography by | Gregg Toland | Editing by | Robert L. Simpson

Starring | Henry Fonda, Jane Darwell, John Carradine, Charley Grapewin

Cameras | Mitchell Cameras

The Black Swan (1942)

Motion Picture | 2D | Film Project | Black & White, Color | 1.37:1 | 87 Minutes

Directed by | Henry King | Cinematography by | Leon Shamroy | Editing by | Barbara McLean

Starring | Tyrone Power, Maureen O'Hara, Laird Cregar

Cameras | Technicolor Cameras

Black Narcissus (1947)

Motion Picture | 2D | Color | 1.37:1 | 101 Minutes

Directed by | Michael Powell, Emeric Pressburger | Cinematography by | Jack Cardiff | Editing by | Reginald Mills

Starring | Deborah Kerr, David Farrar, Flora Robson

Cameras | Technicolor 3-Strip Camera

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