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Napoleon | ShotOnWhat?

Creative Crew: MPC

Napoleon (2023)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Sam Restivo, Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses, Panavision Lenses, Panavision Primo Zooms Spherical Lenses

Greyhound | ShotOnWhat?

Visual Effects Crew: DNEG

Greyhound (2020)

Directed by: Aaron Schneider

Cinematography by: Shelly Johnson

Edited by: Mark Czyzewski, Sidney Wolinsky

Cameras: Panavision Millennium DXL Camera

Lenses: Panavision Sphero 65 Series Lenses

Avengers: Endgame | ShotOnWhat?

Digital Compositor: Visual Effects

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Bohemian Rhapsody | ShotOnWhat?

Digital Compositor: Visual Effects

Bohemian Rhapsody (2018)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: John Ottman

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA SXT Plus Camera, ARRIFLEX 35 BL Camera

Lenses: ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Cooke Speed Panchro Lenses

Editing System: Avid Editing System

Bad Times at the El Royale | ShotOnWhat?

Compositor: Visual Effects

Bad Times at the El Royale (2018)

Directed by: Drew Goddard

Cinematography by: Seamus McGarvey

Edited by: Lisa Lassek

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

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