Ariel Altman

  57 Titles
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Visual Effects Supervisor

'Mr. Robot' eps3.8_stage3.torrent  (2017)

Directed by: Sam Esmail
Cinematography by: Tod Campbell
Edited by: Rosanne Tan

Visual Effects Supervisor

'Mr. Robot' eps3.0_power-saver-mode.h  (2017)

Directed by: Sam Esmail
Cinematography by: Tod Campbell
Edited by: John Petaja

Visual Effects Supervisor

'Mr. Robot' eps3.1_undo.gz  (2017)

Directed by: Sam Esmail
Cinematography by: Tod Campbell
Edited by: Justin Krohn

Visual Effects Supervisor

'Mr. Robot' eps3.2_legacy.so  (2017)

Directed by: Sam Esmail
Cinematography by: Tod Campbell
Edited by: Rosanne Tan

Visual Effects Supervisor

'Mr. Robot' eps3.3_m3tadata.par2  (2017)

Directed by: Sam Esmail
Cinematography by: Tod Campbell
Edited by: John Petaja

Visual Effects Supervisor

'Mr. Robot' eps3.4_runtime-err0r.r00  (2017)

Directed by: Sam Esmail
Cinematography by: Tod Campbell
Edited by: Rosanne Tan

Visual Effects Supervisor

'Mr. Robot' eps3.5_kill-pr0cess.inc  (2017)

Directed by: Sam Esmail
Cinematography by: Tod Campbell
Edited by: Justin Krohn

Visual Effects Supervisor

'Mr. Robot' eps3.6_fredrick+tanya.chk  (2017)

Directed by: Sam Esmail
Cinematography by: Tod Campbell
Edited by: John Petaja

Visual Effects Supervisor

'Mr. Robot' eps3.7_dont-delete-me.ko  (2017)

Directed by: Sam Esmail
Cinematography by: Tod Campbell
Edited by: Justin Krohn

Visual Effects Supervisor

'The Blacklist' The Director (No. 24)  (2016)

Directed by: Mary Lambert
Cinematography by: Michael Caracciolo
Edited by: Emily Greene

Compositing Supervisor: FuseFX

'The Blacklist' The Vehm (No. 132)  (2016)

Directed by: Michael W. Watkins
Cinematography by: Eric Moynier
Edited by: Emily Greene

Compositing Supervisor: FuseFX

'The Blacklist' Lady Ambrosia (No. 77)  (2016)

Directed by: Tim Hunter
Cinematography by: Eric Moynier
Edited by: David Post

Compositing Supervisor: FuseFX

'The Blacklist' Susan Hargrave (No. 18)  (2016)

Directed by: Andrew McCarthy
Cinematography by: Michael Caracciolo
Edited by: Emily Greene

Compositing Supervisor: FuseFX

'The Blacklist' Cape May  (2016)

Directed by: Michael W. Watkins
Cinematography by: Eric Moynier
Edited by: David Post

Compositing Supervisor: FuseFX

'The Blacklist' Mr. Solomon (No. 32): Conclusion  (2016)

Directed by: John Terlesky
Cinematography by: Eric Moynier
Edited by: Emily Greene

Compositing Supervisor: FuseFX

'The Blacklist' Mr. Solomon (No. 32)  (2016)

Directed by: Eagle Egilsson
Cinematography by: Michael Caracciolo
Edited by: David Post

Compositing Supervisor: FuseFX

'The Blacklist' Drexel (No. 113)  (2016)

Directed by: Anton Cropper
Cinematography by: Michael Caracciolo
Edited by: Emily Greene

Compositing Supervisor: FuseFX

'The Blacklist' The Caretaker (No. 78)  (2016)

Cinematography by: Eric Moynier
Edited by: Chris Brookshire

Compositing Supervisor: FuseFX

'The Blacklist' Alistair Pitt (No. 103)  (2016)

Directed by: Bill Roe
Cinematography by: Michael Caracciolo
Edited by: Chris Brookshire

Compositing Supervisor: FuseFX

'The Blacklist' Vanessa Cruz (No. 117)  (2015)

Directed by: Guy Ferland
Cinematography by: Michael Caracciolo
Edited by: Nathan Gunn

Compositing Supervisor: FuseFX

'The Blacklist' Luther Braxton (No. 21)  (2015)

Directed by: Joe Carnahan
Cinematography by: Michael Caracciolo
Edited by: Nathan Gunn

Compositing Supervisor: FuseFX

'The Blacklist' The Kenyon Family (No. 71)  (2015)

Directed by: David Platt
Cinematography by: Eric Moynier
Edited by: Nathan Gunn

Compositing Supervisor: FuseFX

'The Blacklist' T. Earl King VI (No. 94)  (2015)

Directed by: Steven A. Adelson
Cinematography by: Eric Moynier
Edited by: David Post

Compositing Supervisor: FuseFX

'The Blacklist' Leonard Caul (No. 62)  (2015)

Directed by: Michael Waxman
Cinematography by: Eric Moynier
Edited by: Chris Brookshire

Compositing Supervisor: FuseFX

'The Blacklist' The Major (No. 75)  (2015)

Directed by: Michael W. Watkins
Cinematography by: Eric Moynier

Compositing Supervisor: FuseFX

'The Blacklist' Quon Zhang (No. 87)  (2015)

Directed by: Karen Gaviola
Cinematography by: Michael Caracciolo
Edited by: David Post

Compositing Supervisor: FuseFX

'The Blacklist' Karakurt (No. 55)  (2015)

Directed by: Steven A. Adelson
Cinematography by: Eric Moynier
Edited by: Nathan Gunn

Visual Effects Supervisor: FuseFX

'The Blacklist' Kings of the Highway (No. 108)  (2015)

Directed by: Terrence O'Hara
Cinematography by: Eric Moynier

Visual Effects Supervisor: FuseFX

'The Blacklist' Sir Crispin Crandall (No. 86)  (2015)

Directed by: Ami Canaan Mann
Cinematography by: Eric Moynier
Edited by: Emily Greene

Compositing Supervisor: FuseFX

'The Blacklist' The Djinn (No. 43)  (2015)

Directed by: Omar Madha
Cinematography by: Eric Moynier
Edited by: Chris Brookshire

Compositing Supervisor: FuseFX

'The Blacklist' Eli Matchett (No.72)  (2015)

Directed by: Steven A. Adelson
Cinematography by: Michael Caracciolo
Edited by: Emily Greene

Compositing Supervisor: FuseFX

'The Blacklist' Marvin Gerard (No. 80)  (2015)

Directed by: Andrew McCarthy
Cinematography by: Eric Moynier
Edited by: David Post

Compositing Supervisor: FuseFX

'The Blacklist' Monarch Douglas Bank (No. 112)  (2014)

Directed by: Paul A. Edwards
Cinematography by: Eric Moynier
Edited by: David Post

Compositing Supervisor: FuseFX

'The Blacklist' Dr. James Covington (No. 89)  (2014)

Directed by: Karen Gaviola
Cinematography by: Michael Caracciolo
Edited by: Nathan Gunn

Compositing Supervisor: FuseFX

'The Blacklist' Dr. Linus Creel (No. 82)  (2014)

Directed by: Michael W. Watkins
Cinematography by: Eric Moynier
Edited by: Chris Brookshire

Compositing Supervisor: FuseFX

'The Blacklist' The Front (No. 74)  (2014)

Directed by: Steven A. Adelson
Cinematography by: Michael Caracciolo
Edited by: David Post

Compositing Supervisor: FuseFX

'The Blacklist' The Mombasa Cartel (No. 114)  (2014)

Directed by: David Platt
Cinematography by: Eric Moynier
Edited by: Nathan Gunn

Compositing Supervisor: FuseFX

'The Blacklist' The Decembrist (No. 12)  (2014)

Directed by: Michael W. Watkins
Cinematography by: Eric Moynier
Edited by: David Post
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