Technicolor Color Consultant
The Patsy (1964)
Directed by: Jerry Lewis
Cinematography by: W. Wallace Kelley
Edited by: John Woodcock
Technicolor Color Consultant
The Disorderly Orderly (1964)
Directed by: Frank Tashlin
Cinematography by: W. Wallace Kelley
Technicolor Color Consultant
Who's Minding the Store? (1963)
Directed by: Frank Tashlin
Cinematography by: W. Wallace Kelley
Edited by: John Woodcock
Technicolor Color Consultant
One-Eyed Jacks (1961)
Directed by: Marlon Brando
Cinematography by: Charles Lang
Edited by: Archie Marshek
Cameras: VistaVision Cameras
Technicolor Color Consultant
Breakfast at Tiffany's (1961)
Directed by: Blake Edwards
Edited by: Howard A. Smith
Technicolor Color Consultant
Cinderfella (1960)
Directed by: Frank Tashlin
Cinematography by: Haskell B. Boggs
Edited by: Arthur P. Schmidt
Technicolor Color Consultant
Vertigo (1958)
Directed by: Alfred Hitchcock
Cinematography by: Robert Burks
Edited by: George Tomasini
Cameras: Mitchell VistaVision Camera
Technicolor Color Consultant
The Geisha Boy (1958)
Directed by: Frank Tashlin
Cinematography by: Haskell B. Boggs
Edited by: Alma Macrorie
Technicolor Color Consultant
The Buccaneer (1958)
Directed by: Anthony Quinn
Cinematography by: Loyal Griggs
Edited by: Archie Marshek
Cameras: VistaVision Cameras
Technicolor Color Consultant
Funny Face (1957)
Directed by: Stanley Donen
Cinematography by: Ray June
Edited by: Frank Bracht
Cameras: VistaVision Cameras
Technicolor Color Consultant
The Ten Commandments (1956)
Directed by: Cecil B. DeMille
Cinematography by: Loyal Griggs
Edited by: Anne Bauchens
Technicolor Color Consultant
The Man Who Knew Too Much (1956)
Directed by: Alfred Hitchcock
Cinematography by: Robert Burks
Edited by: George Tomasini
Cameras: VistaVision Cameras
Technicolor Color Consultant
To Catch a Thief (1955)
Directed by: Alfred Hitchcock
Cinematography by: Robert Burks
Edited by: George Tomasini
Cameras: VistaVision Cameras
Technicolor Color Consultant
The Trouble with Harry (1955)
Directed by: Alfred Hitchcock
Cinematography by: Robert Burks
Edited by: Alma Macrorie
Cameras: VistaVision Cameras
Technicolor Color Consultant
Rear Window (1954)
Directed by: Alfred Hitchcock
Cinematography by: Robert Burks
Edited by: George Tomasini
Cameras: Mitchell BNC Camera
Color Consultant: Technicolor
Shane (1953)
Directed by: George Stevens
Cinematography by: Loyal Griggs
Cameras: Technicolor 3-Strip Camera
Associate Color Director: Technicolor
Joan of Arc (1948)
Directed by: Victor Fleming
Edited by: Frank Sullivan
Cameras: Technicolor 3-Strip Camera
Associate Technicolor Director
Leave Her to Heaven (1945)
Directed by: John M. Stahl
Cinematography by: Leon Shamroy
Edited by: James B. Clark
Cameras: Technicolor 3-Strip Camera
Associate Color Director: Technicolor
Wilson (1944)
Directed by: Henry King
Edited by: Barbara McLean
Cameras: Technicolor 3-Strip Camera
Color Advisor
Gone with the Wind (1939)
Cameras: Technicolor 3-Strip Camera
Lenses: Bausch & Lomb Lenses
