Toni Di Rocco

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Lucy | ShotOnWhat?

Mix Assistant

Lucy (2014)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

Cameras: ARRI ALEXA XT Camera, Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

Yves Saint Laurent | ShotOnWhat?

Sound Mix Technician

Yves Saint Laurent (2014)

Directed by: Jalil Lespert

Cinematography by: Thomas Hardmeier

Edited by: François Gédigier

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

Lenses: Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

Astérix aux jeux olympiques | ShotOnWhat?

Sound Mix Technician

Astérix aux jeux olympiques (2008)

Directed by: Frédéric Forestier, Thomas Langmann

Cinematography by: Thierry Arbogast

Edited by: Yannick Kergoat, Julien Rey, Vincent Tabaillon

35 Shots of Rum | ShotOnWhat?

Sound Mix Technician

35 Shots of Rum (2008)

Directed by: Claire Denis

Cinematography by: Agnès Godard

Edited by: Guy Lecorne

Cameras: Aaton 35-III Camera

Lenses: Cooke Speed Panchro Lenses, Zeiss Standard Speed Prime Lenses

The Diving Bell and the Butterfly | ShotOnWhat?

Sound Mix Technician

The Diving Bell and the Butterfly (2007)

Directed by: Julian Schnabel

Cinematography by: Janusz Kaminski

Edited by: Juliette Welfling

Cameras: ARRIFLEX 435 Camera

Lenses: ARRI Shift & Tilt System Lens, Zeiss Super Speed Lenses

Odette Toulemonde | ShotOnWhat?

Sound Mix Technician

Odette Toulemonde (2006)

Directed by: Eric-Emmanuel Schmitt

Cinematography by: Carlo Varini

Edited by: Philippe Bourgueil

Immortel (ad vitam) | ShotOnWhat?

Sound Recordist

Immortal (2004)

Directed by: Enki Bilal

Cinematography by: Pascal Gennesseaux

Edited by: Véronique Parnet

Décalage horaire | ShotOnWhat?

Sound Recordist

Décalage horaire (2002)

Directed by: Danièle Thompson

Cinematography by: Patrick Blossier

Edited by: Sylvie Landra

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