Payroll Accountant
Oblivion (2013)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Richard Francis-Bruce
Cameras: Red Epic Camera, Sony CineAlta F65 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Avid Editing System
Payroll Accountant
The Experiment (2010)
Directed by: Paul Scheuring
Cinematography by: Amy Vincent
Edited by: Peter S. Elliot
Payroll Accountant
Greenberg (2010)
Directed by: Noah Baumbach
Cinematography by: Harris Savides
Edited by: Tim Streeto
Payroll Accountant
For Colored Girls (2010)
Directed by: Tyler Perry
Cinematography by: Alexander Gruszynski
Edited by: Maysie Hoy
Payroll Accountant
Indiana Jones and the Kingdom of the Crystal Skull (2008)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Payroll
The Midnight Meat Train (2008)
Directed by: Ryûhei Kitamura
Cinematography by: Jonathan Sela
Edited by: Toby Yates
Payroll Accountant
Stop-Loss (2008)
Directed by: Kimberly Peirce
Cinematography by: Chris Menges
Edited by: Claire Simpson
Payroll Accountant
Don't Come Knocking (2005)
Directed by: Wim Wenders
Cinematography by: Franz Lustig
