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Wonder Woman | ShotOnWhat?

Set Production Assistant

Wonder Woman (2017)

Directed by: Patty Jenkins

Cinematography by: Matthew Jensen

Edited by: Martin Walsh

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses

Inkheart | ShotOnWhat?

Assistant: Helen Mirren / Set Production Assistant

Inkheart (2008)

Directed by: Iain Softley

Cinematography by: Roger Pratt

Edited by: Martin Walsh

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

I demoni di San Pietroburgo | ShotOnWhat?

Stand-by Props

I demoni di San Pietroburgo (2008)

Directed by: Giuliano Montaldo

Cinematography by: Arnaldo Catinari

Edited by: Consuelo Catucci

Mission: Impossible III | ShotOnWhat?

Set Production Assistant

Mission: Impossible III (2006)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Nick Gibbs, Mary Jo Markey

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

Ocean's Twelve | ShotOnWhat?

Set Production Assistant

Ocean's Twelve (2004)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

The Life Aquatic with Steve Zissou | ShotOnWhat?

Set Production Assistant

The Life Aquatic with Steve Zissou (2004)

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: David Moritz

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

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