Legal Counsel
Blood Father (2016)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Edited by: Steven Rosenblum
Production Counsel: US
Jackie (2016)
Directed by: Pablo Larraín
Cinematography by: Stéphane Fontaine
Edited by: Sebastián Sepúlveda
Cameras: ARRIFLEX 416 Plus Camera
Legal Counsel: US
The Loft (2014)
Directed by: Erik Van Looy
Cinematography by: Nicolas Karakatsanis
Edited by: Eddie Hamilton
Cameras: ARRI ALEXA Plus Camera
Lenses: Zeiss Master Prime Lenses
Production Legal
Parker (2013)
Directed by: Taylor Hackford
Cinematography by: James M. Muro
Edited by: Mark Warner
Cameras: Red Epic Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Production Counsel: Surpin & Mayersohn
Jimmy P. (2013)
Directed by: Arnaud Desplechin
Cinematography by: Stéphane Fontaine
Edited by: Laurence Briaud
Production Legal Services: Surpin & Mayerson
Sound of My Voice (2011)
Directed by: Zal Batmanglij
Cinematography by: Rachel Morrison
Edited by: Tamara Meem
Cameras: Canon EOS-7D Camera
Production Legal Services
Shark Night 3D (2011)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Dennis Virkler
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens
Editing System: Avid Editing System
Production Legal
Waiting for Forever (2010)
Directed by: James Keach
Cinematography by: Matthew Irving
Edited by: Pamela March
