Rachael Black

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Dragged Across Concrete | ShotOnWhat?

Digital Intermediate Assist

Dragged Across Concrete (2018)

Directed by: S. Craig Zahler

Cinematography by: Benji Bakshi

Edited by: Greg D'Auria

Cameras: Red Helium (Weapon) 8K

Lenses: Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 28 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 40 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 60 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens

Measure of a Man | ShotOnWhat?

Digital Intermediate Administration

Measure of a Man (2018)

Directed by: Jim Loach

Cinematography by: Denson Baker

Edited by: Dany Cooper

Cameras: ARRI ALEXA Camera

Lenses: Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Can You Ever Forgive Me? | ShotOnWhat?

Digital Intermediate Administration

Can You Ever Forgive Me? (2018)

Directed by: Marielle Heller

Cinematography by: Brandon Trost

Edited by: Anne McCabe

Cameras: Panavision Millennium DXL Camera

Lenses: Panavision Primo 70 Lenses

Maniac | ShotOnWhat?

Digital Intermediate Assist - 10 Episodes, 2018

Maniac (2018)

Directed by: Cary Joji Fukunaga

Cinematography by: Darren Lew

Edited by: Pete Beaudreau, Tim Streeto

Cameras: Panavision Millennium DXL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Pride and Prejudice and Zombies | ShotOnWhat?

Digital Intermediate Administration

Pride and Prejudice and Zombies (2016)

Directed by: Burr Steers

Cinematography by: Remi Adefarasin

Edited by: Padraic McKinley

Lenses: Cooke S4/i Lenses

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