Rebecca Shpak

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Jamesy Boy | ShotOnWhat?

Set Decorator

Jamesy Boy (2014)

Directed by: Trevor White

Cinematography by: Robert Lam

Edited by: Josh Noyes

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens

Editing System: Apple Final Cut Pro 7

Night at the Museum: Battle of the Smithsonian | ShotOnWhat?

On-set Dresser: Washington, D.C.

Night at the Museum: Battle of the Smithsonian (2009)

Directed by: Shawn Levy

Cinematography by: John Schwartzman

Edited by: Dean Zimmerman, Don Zimmerman

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses: Panavision Primo Anamorphic Lenses

Breach | ShotOnWhat?

Special Effects Assistant: Washington D.C.

Breach (2007)

Directed by: Billy Ray

Cinematography by: Tak Fujimoto

Edited by: Jeffrey Ford

Cameras: Panavision Cameras

Crazy Eights | ShotOnWhat?

Production Designer

Crazy Eights (2006)

Directed by: Jimi Jones

Cinematography by: Stephen M. Lyons

Edited by: Jimi Jones, Ji-un Kwon

Ladder 49 | ShotOnWhat?

Set Dresser

Ladder 49 (2004)

Directed by: Jay Russell

Cinematography by: James L. Carter

Edited by: Bud S. Smith, M. Scott Smith

Gods and Generals | ShotOnWhat?

Set Dresser

Gods and Generals (2003)

Directed by: Ron Maxwell

Cinematography by: Kees Van Oostrum

Edited by: Corky Ehlers

Cameras: Mitchell Cameras, Pan-Arri 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Close Focus Spherical Lenses

Head of State | ShotOnWhat?

Greens

Head of State (2003)

Directed by: Chris Rock

Cinematography by: Donald E. Thorin

Edited by: Stephen A. Rotter

The Sum of All Fears | ShotOnWhat?

Greens

The Sum of All Fears (2002)

Directed by: Phil Alden Robinson

Cinematography by: John Lindley

Edited by: Nicolas De Toth, Neil Travis

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