Karen Grose

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The Water Diviner | ShotOnWhat?

Special Makeup Effects: Jmb Fx Studio Coordinator

The Water Diviner (2014)

Directed by: Russell Crowe

Cinematography by: Andrew Lesnie

Edited by: Matt Villa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision Primo Anamorphic Lenses

Wolf Creek 2 | ShotOnWhat?

Coordinator: JMB FX Studio

Wolf Creek 2 (2013)

Directed by: Greg McLean

Cinematography by: Toby Oliver

Edited by: Sean Lahiff

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Series 46-230 mm T4.0 Lens

The Ruins | ShotOnWhat?

Prosthetics Coordinator

The Ruins (2008)

Directed by: Carter Smith

Cinematography by: Darius Khondji

Edited by: Jeff Betancourt

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Condemned | ShotOnWhat?

Prosthetics Foreman

The Condemned (2007)

Directed by: Scott Wiper

Cinematography by: Ross Emery

Edited by: Derek Brechin

Aquamarine | ShotOnWhat?

Project Manager: JMB FX

Aquamarine (2006)

Directed by: Elizabeth Allen Rosenbaum

Cinematography by: Brian J. Breheny

Edited by: Jane Moran

Cameras: Panavision Cameras

House of Wax | ShotOnWhat?

Prosthetic Artist, Wax Coordinator

House of Wax (2005)

Directed by: Jaume Collet-Serra

Cinematography by: Stephen F. Windon

Edited by: Joel Negron

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