Digital Artist: CIS Hollywood
Deep Impact (1998)
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Cameras: ARRIFLEX 535 Camera
Digital Rotoscoping And Paint: CIS Hollywood
The Parent Trap (1998)
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Edited by: Stephen A. Rotter
Digital Rotoscope And Paint Artist: CIS Hollywood
What Dreams May Come (1998)
Directed by: Vincent Ward
Cinematography by: Eduardo Serra
Digital Paint And Rotoscope Artist: CIS Hollywood
Rush Hour (1998)
Directed by: Brett Ratner
Cinematography by: Adam Greenberg
Edited by: Mark Helfrich
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Rotoscoping: CIS Hollywood
Mafia! (1998)
Directed by: Jim Abrahams
Cinematography by: Pierre Letarte
Edited by: Terry Stokes