Kitty Veevers

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The Count of Monte Cristo | ShotOnWhat?

Digital Compositor: Mill Film

The Count of Monte Cristo (2002)

Directed by: Kevin Reynolds

Cinematography by: Andrew Dunn

Edited by: Stephen Semel, Christopher Womack

Lara Croft: Tomb Raider | ShotOnWhat?

Digital Compositor: Mill Film

Lara Croft: Tomb Raider (2001)

Directed by: Simon West

Cinematography by: Peter Menzies Jr.

Edited by: Dallas Puett, Glen Scantlebury, Eric Strand, Mark Warner

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Fear and Loathing in Las Vegas | ShotOnWhat?

Digital Effects

Fear and Loathing in Las Vegas (1998)

Directed by: Terry Gilliam

Cinematography by: Nicola Pecorini

Edited by: Lesley Walker

Cameras: ARRIFLEX 35 BL4s Camera, ARRIFLEX 35 III Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Standard Speed Prime Lenses

Velvet Goldmine | ShotOnWhat?

Digital Compositor

Velvet Goldmine (1998)

Directed by: Todd Haynes

Cinematography by: Maryse Alberti

Edited by: James Lyons

Cameras: Aaton Cameras, Panavision Panaflex Gold Camera

Lenses: Panavision Primo Primes Spherical Lenses

Fierce Creatures | ShotOnWhat?

Digital Compositor

Fierce Creatures (1997)

Directed by: Fred Schepisi, Robert Young

Cinematography by: Ian Baker, Adrian Biddle

Edited by: Robert Gibson

The Edge | ShotOnWhat?

Digital Compositing: Peerless Camera Co. Ltd.

The Edge (1997)

Directed by: Lee Tamahori

Cinematography by: Donald McAlpine

Edited by: Neil Travis

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