Color Timer
Do the Right Thing (1989)
Directed by: Spike Lee
Cinematography by: Ernest R. Dickerson
Edited by: Barry Alexander Brown
Color Timer
Field of Dreams (1989)
Directed by: Phil Alden Robinson
Cinematography by: John Lindley
Edited by: Ian Crafford
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Color Timer
Troop Beverly Hills (1989)
Directed by: Jeff Kanew
Cinematography by: Donald E. Thorin
Edited by: Mark Melnick
Color Timer
The Fly II (1989)
Directed by: Chris Walas
Cinematography by: Robin Vidgeon
Edited by: Sean Barton
Color Timer
Johnny Be Good (1988)
Directed by: Bud S. Smith
Cinematography by: Robert D. Yeoman
Edited by: M. Scott Smith
Color Timer
Big (1988)
Directed by: Penny Marshall
Cinematography by: Barry Sonnenfeld
Edited by: Barry Malkin
Color Timer
Die Hard (1988)
Directed by: John McTiernan
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Gold Camera
Lenses: Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses
Color Timer
Predator (1987)
Directed by: John McTiernan
Cinematography by: Donald McAlpine
Cameras: Panavision Cameras
Color Timer
Jaws: The Revenge (1987)
Directed by: Joseph Sargent
Cinematography by: John McPherson
Edited by: Michael Brown
Color Timer
At Close Range (1986)
Directed by: James Foley
Cinematography by: Juan Ruiz Anchía
Edited by: Howard E. Smith
Color Timer
Jumpin' Jack Flash (1986)
Directed by: Penny Marshall
Cinematography by: Matthew F. Leonetti
Edited by: Mark Goldblatt
Color Timer
Back to School (1986)
Directed by: Alan Metter
Cinematography by: Thomas E. Ackerman
Edited by: David Rawlins
Cameras: Panavision Cameras
Color Timer
Star Wars: Episode VI - Return of the Jedi (1983)
Directed by: Richard Marquand
Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera
Color Timer
Koyaanisqatsi (1982)
Directed by: Godfrey Reggio
Cinematography by: Ron Fricke
Cameras: ARRIFLEX 16S Camera, ARRIFLEX 35 IIC Camera
Lenses: Canon Lenses
Color Timer
Modern Problems (1981)
Directed by: Ken Shapiro
Cinematography by: Edmond L. Koons
Edited by: Michael Jablow
Color Timer
A Perfect Couple (1979)
Directed by: Robert Altman
Cinematography by: Edmond L. Koons
Edited by: Tony Lombardo
Cameras: Panavision Cameras
