Executive Producer, Unit Production Manager
Antitrust (2001)
Directed by: Peter Howitt
Cinematography by: John Bailey
Edited by: Zach Staenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Executive Producer, Unit Production Manager
Return to Me (2000)
Directed by: Bonnie Hunt
Cinematography by: László Kovács
Edited by: Garth Craven
Executive Producer
Disturbing Behavior (1998)
Directed by: David Nutter
Cinematography by: John S. Bartley
Edited by: Randy Jon Morgan
Executive Producer, Unit Production Manager
Kiss the Girls (1997)
Directed by: Gary Fleder
Cinematography by: Aaron Schneider
Cameras: Panavision Panaflex Gold II Camera
Editing System: Lightworks Editing System
Executive Producer, Unit Production Manager
Stuart Saves His Family (1995)
Directed by: Harold Ramis
Cinematography by: Lauro Escorel
Producer, Unit Production Manager
Blankman (1994)
Directed by: Mike Binder
Cinematography by: Newton Thomas Sigel
Edited by: Adam Weiss
Bank Guard Herman, Executive Producer, Unit Production Manager
Groundhog Day (1993)
Directed by: Harold Ramis
Cinematography by: John Bailey
Edited by: Pembroke J. Herring
Executive Producer, Unit Production Manager
Mobsters (1991)
Directed by: Michael Karbelnikoff
Cinematography by: Lajos Koltai
Executive Producer, Unit Production Manager
Secret Admirer (1985)
Directed by: David Greenwalt
Cinematography by: Victor J. Kemper
Edited by: Dennis Virkler
Executive Producer, Unit Production Manager
Cloak & Dagger (1984)
Directed by: Richard Franklin
Cinematography by: Victor J. Kemper
Edited by: Andrew London
Executive Producer, Unit Production Manager
The Wild Life (1984)
Directed by: Art Linson
Cinematography by: James Glennon
Edited by: Michael Jablow
Co-executive Producer, Production Manager
The Lonely Guy (1984)
Directed by: Arthur Hiller
Cinematography by: Victor J. Kemper
Executive In Charge Of Production
Blade Runner (1982)
Directed by: Ridley Scott
Cinematography by: Jordan Cronenweth
Executive Producer, Unit Production Manager
Fast Times at Ridgemont High (1982)
Directed by: Amy Heckerling
Cinematography by: Matthew F. Leonetti
Edited by: Eric Jenkins
Cameras: Ultracam 35 Camera
Producer
Zorro: The Gay Blade (1981)
Directed by: Peter Medak
Cinematography by: John A. Alonzo
Edited by: Lori Jane Coleman
Production Executive, Unit Production Manager
Players (1979)
Directed by: Anthony Harvey
Cinematography by: James Crabe
Edited by: Randy Roberts
Executive Producer, Production Manager
Magic (1978)
Directed by: Richard Attenborough
Cinematography by: Victor J. Kemper
Edited by: John Bloom
Cameras: Panavision Cameras
Associate Producer, Customer, Unit Production Manager
Chinatown (1974)
Directed by: Roman Polanski
Edited by: Sam O'Steen
Cameras: Panavision Cameras
Production Manager
Cleopatra (1963)
Directed by: Joseph L. Mankiewicz
Cameras: Todd-AO 65mm Camera
Lenses: Todd-AO Lenses
Unit Production Manager
Vertigo (1958)
Directed by: Alfred Hitchcock
Cinematography by: Robert Burks
Edited by: George Tomasini
Cameras: Mitchell VistaVision Camera
Unit Production Manager
The Man Who Knew Too Much (1956)
Directed by: Alfred Hitchcock
Cinematography by: Robert Burks
Edited by: George Tomasini
Cameras: VistaVision Cameras
Assistant Production Manager / Unit Production Manager
To Catch a Thief (1955)
Directed by: Alfred Hitchcock
Cinematography by: Robert Burks
Edited by: George Tomasini
Cameras: VistaVision Cameras
Unit Production Manager
The Trouble with Harry (1955)
Directed by: Alfred Hitchcock
Cinematography by: Robert Burks
Edited by: Alma Macrorie
Cameras: VistaVision Cameras
Unit Production Manager
Rear Window (1954)
Directed by: Alfred Hitchcock
Cinematography by: Robert Burks
Edited by: George Tomasini
Cameras: Mitchell BNC Camera
