Michael R. King

8 Titles

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The Day After Tomorrow | ShotOnWhat?

Technical Director

The Day After Tomorrow (2004)

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: David Brenner

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

Editing System: Avid Editing System

The Incredibles | ShotOnWhat?

Technical Pre-production

The Incredibles (2004)

Directed by: Brad Bird

Cinematography by: Andrew Jimenez, Patrick Lin, Janet Lucroy

Edited by: Stephen Schaffer

Monsters, Inc. | ShotOnWhat?

Lighting Artist / Shading Artist

Monsters, Inc. (2001)

Directed by: Pete Docter, David Silverman, Lee Unkrich

Edited by: Robert Grahamjones, Jim Stewart

Dinosaur | ShotOnWhat?

Application Software Developer

Dinosaur (2000)

Directed by: Eric Leighton, Ralph Zondag

Cinematography by: David R. Hardberger, Steven Douglas Smith

Edited by: H. Lee Peterson

Cameras: VistaVision Cameras

Tarzan | ShotOnWhat?

Technology Crew

Tarzan (1999)

Directed by: Chris Buck, Kevin Lima

Edited by: Gregory Perler

Toy Story 2 | ShotOnWhat?

Shading Artist

Toy Story 2 (1999)

Directed by: John Lasseter, Ash Brannon, Lee Unkrich

Cinematography by: Sharon Calahan

Edited by: Edie Ichioka, David Ian Salter, Lee Unkrich

Mulan | ShotOnWhat?

Technology Crew: California

Mulan (1998)

Directed by: Tony Bancroft, Barry Cook

Edited by: Michael Kelly

Hercules | ShotOnWhat?

Technology Production Supporter

Hercules (1997)

Directed by: Ron Clements, John Musker

Cinematography by: Rasoul Azadani

Edited by: Tom Finan, Robert W. Hedland

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