First Assistant Camera: "c" Camera Dailies, Splinter Unit
Murder on the Orient Express (2017)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Mick Audsley
First Assistant Camera: Dailies
Ex Machina (2014)
Directed by: Alex Garland
Cinematography by: Rob Hardy
Edited by: Mark Day
Lenses: Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses
Editing System: Avid Editing System
Additional Focus Puller
Exam (2009)
Directed by: Stuart Hazeldine
Cinematography by: Tim Wooster
Edited by: Mark Talbot-Butler
Cameras: Panavision Cameras
Second Assistant Camera: Second Unit
Atonement (2007)
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Paul Tothill
Lenses: Panavision Hylén System Lens, Panavision Primo Primes Spherical Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
Editing System: Avid Editing System
Clapper Loader: Additional Scenes Shoot
Closure (2007)
Directed by: Dan Reed
Cinematography by: Chris Seager
Edited by: Ewa J. Lind
Focus Puller
London to Brighton (2006)
Directed by: Paul Andrew Williams
Cinematography by: Christopher Ross
Edited by: Tom Hemmings
Second Assistant Camera: "a" Camera
Venus (2006)
Directed by: Roger Michell
Cinematography by: Haris Zambarloukos
Edited by: Nicolas Gaster
Cameras: ARRIFLEX 16SR3 Camera
Second Assistant Camera: "a" Camera
The Best Man (2005)
Directed by: Stefan Schwartz
Cinematography by: Haris Zambarloukos
Additional Camera Operator / Clapper Loader / Still Photographer, Production Coordinator
Peace One Day (2004)
Directed by: Jeremy Gilley
Cinematography by: Ole Bratt Birkeland, Chester Dent, Chris Diaper, Mary Farbrother, Paul Gillmore, Jim Jolliffe, Alvin Leong, Martin N. Munyua, Jamie Sewell, Marina Showay, John Tramper, Andrew Wiggins, Erik Wilson
Edited by: Adrian Begon
Second Assistant Camera
Enduring Love (2004)
Directed by: Roger Michell
Cinematography by: Haris Zambarloukos
Edited by: Nicolas Gaster
