John Darko

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Hereditary | ShotOnWhat?

Apprentice Cinematographer

Hereditary (2018)

Directed by: Ari Aster

Cinematography by: Pawel Pogorzelski

Edited by: Lucian Johnston, Jennifer Lame

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision Primo Primes Spherical Lenses

This Is the End | ShotOnWhat?

Partygoer

This Is the End (2013)

Directed by: Evan Goldberg, Seth Rogen

Cinematography by: Brandon Trost

Edited by: Zene Baker

Cameras: Panavision Cameras, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

I Love You, Man | ShotOnWhat?

Behind The Scenes

I Love You, Man (2009)

Directed by: John Hamburg

Cinematography by: Lawrence Sher

Edited by: William Kerr

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Pineapple Express | ShotOnWhat?

Backup Still Photographer

Pineapple Express (2008)

Directed by: David Gordon Green

Cinematography by: Tim Orr

Edited by: Craig Alpert

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

There Will Be Blood | ShotOnWhat?

Additional Photography By , Production Assistant

There Will Be Blood (2007)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Pathé 43 mm (Modified by Dan Sasaki) Lens

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