Key Grip
Hotel Império (2018)
Directed by: Ivo Ferreira
Cinematography by: Susana Gomes
Edited by: Sandro Aguilar
Cameras: Sony α7S II Camera
Lenses: ARRI / Zeiss Lenses, ARRI Macro 60mm T3.0 Lens, Zeiss ARRI Macro Lenses, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
Still Photographer
Man in the Chair (2007)
Directed by: Michael Schroeder
Cinematography by: Dana Gonzales
Edited by: Terry Cafaro
Still Photographer
An American Crime (2007)
Directed by: Tommy O'Haver
Cinematography by: Byron Shah
Edited by: Melissa Kent
Cameras: Moviecam Compact Camera
Lenses: Hawk C-Series Lenses
Set Dressing Photographer
The Hills Have Eyes (2006)
Directed by: Alexandre Aja
Cinematography by: Maxime Alexandre
Edited by: Baxter
Still Photographer
An Inconvenient Truth (2006)
Directed by: Davis Guggenheim
Cameras: Sony HDC-F950 Camera
Still Photographer
Little Miss Sunshine (2006)
Cinematography by: Tim Suhrstedt
Edited by: Pamela Martin
Still Photographer
American Pie Presents: Band Camp (2005)
Directed by: Steve Rash
Cinematography by: Victor J. Kemper
Edited by: Danny Saphire
Still Photographer
Happy Endings (2005)
Directed by: Don Roos
Cinematography by: Clark Mathis
Edited by: David Codron
Editing System: Final Cut Pro Editing System
Still Photographer
Bad Santa (2003)
Directed by: Terry Zwigoff
Cinematography by: Jamie Anderson
Edited by: Robert Hoffman
Still Photographer
Dark Harbor (1998)
Directed by: Adam Coleman Howard
Cinematography by: Walt Lloyd
Edited by: Annette Davey
Still Photographer
The Spitfire Grill (1996)
Directed by: Lee David Zlotoff
Cinematography by: Robert Draper
Edited by: Margaret Goodspeed
