Anthony Bloor

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Ghost in the Shell | ShotOnWhat?

Visual Effects Artist

Ghost in the Shell (2017)

Directed by: Rupert Sanders

Cinematography by: Jess Hall

Edited by: Billy Rich, Neil Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens

The Color of Magic | ShotOnWhat?

Visual Effects Supervisor: The Moving Picture Company - 2 Episodes, 2008

The Color of Magic (2008)

Directed by: Vadim Jean

Cinematography by: Gavin Finney

Edited by: Joe McNally, Liz Webber

Cameras: ARRIFLEX D-21 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

"The Color of Magic" Part 2: The Light Fantastic | ShotOnWhat?

Visual Effects Supervisor: The Moving Picture Company

'The Color of Magic' Part 2: The Light Fantastic (2008)

Television Episode

Directed by: Vadim Jean

Cinematography by: Gavin Finney

Edited by: Joe McNally, Liz Webber

"The Color of Magic" Part 1: The Colour of Magic | ShotOnWhat?

Visual Effects Supervisor: The Moving Picture Company

'The Color of Magic' Part 1: The Colour of Magic (2008)

Television Episode

Directed by: Vadim Jean

Cinematography by: Gavin Finney

Edited by: Joe McNally, Liz Webber

Hogfather | ShotOnWhat?

Digital Artist

Terry Pratchett's Hogfather (2006)

Television Movie

Directed by: Vadim Jean

Cinematography by: Gavin Finney

Edited by: Joe McNally

Cameras: ARRIFLEX D-20 Camera

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