First Assistant Accountant
'Queen of the South' Sólo el Amor de Una Madre (2017)
Directed by: David Rodriguez
Cinematography by: John Brawley
Edited by: Matthew Philip Smith
First Assistant Accountant
'Queen of the South' El Cuerpo de Cristo (2017)
Directed by: David Boyd
Cinematography by: John Brawley
Edited by: Priscilla Nedd-Friendly
First Assistant Accountant
'Queen of the South' El Camino de la Muerte (2017)
Directed by: David Boyd
Cinematography by: John Brawley
Edited by: Matthew Philip Smith
First Assistant Accountant
'Queen of the South' El Nacimiento de Bolivia (2017)
Directed by: Nick Copus
Cinematography by: John Brawley
Edited by: Briana London
First Assistant Accountant
'Queen of the South' El Beso de Judas (2017)
Directed by: Ami Canaan Mann
Cinematography by: John Brawley
Edited by: Priscilla Nedd-Friendly
First Assistant Accountant
'Queen of the South' Un Pacto con el Diablo (2017)
Directed by: Eduardo Sánchez
Cinematography by: John Brawley
Edited by: Matthew Philip Smith
First Assistant Accountant
'Queen of the South' Dios y el Abogado (2017)
Directed by: Nick Gomez
Cinematography by: John Brawley
Edited by: Briana London
First Assistant Accountant
'Queen of the South' Sacar Con Sifón el Mar (2017)
Directed by: Bronwen Hughes
Cinematography by: John Brawley
Edited by: Philip Carr Neel
First Assistant Accountant
'Queen of the South' El Precio de la Fe (2017)
Directed by: Joe Menendez
Cinematography by: John Brawley
Edited by: Priscilla Nedd-Friendly
First Assistant Accountant
'Queen of the South' La Última Hora Mata (2017)
Directed by: David Boyd
Cinematography by: John Brawley
Edited by: Priscilla Nedd-Friendly
First Assistant Accountant
'Queen of the South' Todas las Horas Hieren (2017)
Directed by: Eduardo Sánchez
Cinematography by: John Brawley
Edited by: Matthew Philip Smith
First Assistant Accountant
'Queen of the South' La Noche Oscura del Alma (2017)
Directed by: Tina Mabry
Cinematography by: John Brawley
Edited by: Philip Carr Neel
First Assistant Accountant
'Queen of the South' Que Manden los Payasos (2017)
Directed by: Loni Peristere
Cinematography by: John Brawley
Edited by: Priscilla Nedd-Friendly
First Assistant Accountant - 13 Episodes, 2017
Queen of the South (2016)
Directed by: Eduardo Sánchez, David Boyd, David Rodriguez, Rebecca Rodriguez, Matthew Penn, Scott Peters, Nick Copus, Laura Belsey, Ben Hernandez Bray, Darren Grant, Zetna Fuentes, Constantine Makris, Jamie Payne, David Platt, T.J. Scott, Charlotte Sieling, Nick Gomez, Bronwen Hughes, Tina Mabry, Ami Canaan Mann, Joe Menendez, Loni Peristere, David Grossman, Meera Menon, Steve Acevedo, Leon Ichaso, Jessica Lowrey, Tawnia McKiernan, Batan Silva
Edited by: Matthew Philip Smith, Priscilla Nedd-Friendly, Briana London, Juan Carlos Garza, Philip Carr Neel, Nicole Brik, Amy M. Fleming, Betsy C. Thompson, Harvey Rosenstock, Benjamin Howdeshell
Lenses: Panavision PVintage 100 mm T1.6 Lens, Panavision PVintage 14 mm T1.9 Lens, Panavision PVintage 17 mm T1.9 Lens, Panavision PVintage 24 mm T1.2 Lens, Panavision PVintage 29 mm T1.2 Lens, Panavision PVintage 35 mm T1.6 Lens, Panavision PVintage 40 mm T1.3 Lens, Panavision PVintage 50 mm T1.0 Lens, Panavision PVintage 75 mm T1.6 Lens
Stand-in
Texas Chainsaw 3D (2013)
Directed by: John Luessenhop
Cinematography by: Anastas N. Michos
Edited by: Randy Bricker
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens
Editing System: Avid Editing System
Photo Double/stand-in
Catch .44 (2011)
Directed by: Aaron Harvey
Cinematography by: Jeff Cutter
Edited by: Richard Byard
Prom Goer
Vampires Suck (2010)
Cinematography by: Shawn Maurer
Edited by: Peck Prior
Cameras: Moviecam Compact Camera
