Frederick Gourgue

6 Titles

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The Institute | ShotOnWhat?

Second Assistant Director

The Institute (2017)

Directed by: James Franco, Pamela Romanowsky

Cinematography by: Pedro Gómez Millán

Edited by: Evan Ahlgren, Aaron I. Butler

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Cooke S4 Lenses

The Lone Ranger | ShotOnWhat?

Epk/behind The Scenes Assistant

The Lone Ranger (2013)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: James Haygood, Craig Wood

Cameras: ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

Lone Survivor | ShotOnWhat?

Epk/behind The Scenes Assistant

Lone Survivor (2013)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr.

Cameras: Phantom Flex Camera, Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens

Hit and Run | ShotOnWhat?

Production Intern

Hit and Run (2012)

Directed by: David Palmer, Dax Shepard

Cinematography by: Bradley Stonesifer

Edited by: Keith Croket, Dax Shepard

Cameras: ARRI Cameras

Horrible Bosses | ShotOnWhat?

Additional Second Second Assistant Director: Second Unit , Production Assistant

Horrible Bosses (2011)

Directed by: Seth Gordon

Cinematography by: David Hennings

Edited by: Peter Teschner

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

God Bless America | ShotOnWhat?

Production Assistant, TMI Camera Man

God Bless America (2011)

Directed by: Bobcat Goldthwait

Cinematography by: Bradley Stonesifer

Edited by: David Hopper, Jason Stewart

Cameras: ARRI ALEXA Camera

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