Christine Mansfield

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Blonde | ShotOnWhat?

Visual Effects Producer

Blonde (2022)

Directed by: Andrew Dominik

Cinematography by: Chayse Irvin

Edited by: Adam Robinson

Cameras: ARRI ALEXA XT Monochrome Camera, Sony CineAlta VENICE Camera

Lenses: ARRI Rental HEROES LOOK Lens, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses

Good Boys | ShotOnWhat?

Visual Effects Production Manager

Good Boys (2019)

Movie

Directed by: Gene Stupnitsky

Cinematography by: Jonathan Furmanski

Edited by: Daniel Gabbe

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 180 mm T2.8 Lens, Zeiss Master Anamorphic 28 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 40 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 60 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens

Booksmart | ShotOnWhat?

Visual Effects Production Manager

Booksmart (2019)

Directed by: Olivia Wilde

Cinematography by: Jason McCormick

Edited by: Jamie Gross, Brent White

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision T Series Anamorphic Lenses

Non Serviam | ShotOnWhat?

First Assistant Camera, Producer

Non Serviam (2011)

Directed by: Louis Mansfield

Cinematography by: Jay Wasley

Edited by: Rick Chapman

Birth of Separation | ShotOnWhat?

First Assistant Camera, Post-production Coordinator

Birth of Separation (2010)

Directed by: Louis Mansfield

Cinematography by: Adrian Sierkowski

Edited by: Rick Chapman

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