Composer
Catch .44 (2011)
Directed by: Aaron Harvey
Cinematography by: Jeff Cutter
Edited by: Richard Byard
Composer, Composer: Theme Music, Re-recording Mixer
Gun (2010)
Directed by: Jessy Terrero
Cinematography by: Zeus Morand
Edited by: Kirk M. Morri
Cameras: Red One Camera
Re-recording Mixer / Sound Designer / Sound Supervisor
Give 'em Hell Malone (2009)
Directed by: Russell Mulcahy
Cinematography by: Jonathan Hall
Edited by: Robert A. Ferretti
Cameras: Panavision Cameras
Dialogue Editor / Re-recording Mixer / Sound Supervisor
Oy Vey! My Son Is Gay!! (2009)
Directed by: Evgeny Afineevsky
Cinematography by: Peter N. Green
Edited by: Michael Southworth
Dialogue Editor / Re-recording Mixer / Sound Designer / Sound Supervisor
Dark House (2009)
Directed by: Darin Scott
Cinematography by: Philip Lee
Edited by: Charles Bornstein
Re-recording Mixer / Supervising Sound Editor
Happy in the Valley (2009)
Directed by: Lee Madsen
Cinematography by: Ben Kufrin
Edited by: Dean Lemes
Re-recording Mixer: Juniper Post / Sound Supervisor: Juniper Post
No Man's Land: The Rise of Reeker (2008)
Directed by: Dave Payne
Cinematography by: Mike Mickens
Edited by: Daniel Barone
Dialogue Editor / Re-recording Mixer / Supervising Sound Editor
Yesterday Was a Lie (2008)
Directed by: James Kerwin
Cinematography by: Jason Cochard
Edited by: James Kerwin
Re-recording Mixer / Supervising Sound Editor
Everybody Wants to Be Italian (2007)
Directed by: Jason Todd Ipson
Cinematography by: Michael Fimognari
Edited by: Mike Saenz
Cameras: Panavision Cameras
Re-recording Mixer / Supervising Sound Editor
Spiritual Warriors (2007)
Directed by: David Raynr
Cinematography by: Evan A. Nesbitt
Edited by: Nimrod Zalmanowitz
Sound Supervisor
Americanizing Shelley (2007)
Directed by: Lorraine Senna
Cinematography by: Christo Bakalov
Supervising Sound Editor
Pucked (2006)
Directed by: Arthur Hiller
Cinematography by: Alton Chewning
Edited by: Dan Schalk
Sound Supervisor
The Honeyfields (2006)
Directed by: Matthew Gordon
Cinematography by: Jeffrey Waldron
Edited by: Renaldo Romero
Re-recording Mixer / Supervising Sound Editor
Surveillance (2006)
Directed by: Fritz Kiersch
Cinematography by: Charles Schner
Edited by: Lewis Schoenbrun
Associate Producer, Supervising Sound Editor: Juniper Post
Reeker (2005)
Directed by: Dave Payne
Cinematography by: Mike Mickens
Edited by: Daniel Barone
Supervising Sound Editor
DarkWolf (2003)
Directed by: Richard Friedman
Cinematography by: Stuart Asbjornsen
Edited by: Julie Antepli
Cameras: Panavision Cameras
Supervising Sound Editor
Latin Kingz (2003)
Directed by: Daniel Zirilli
Cinematography by: Neal Fredericks
Edited by: Vince Anido
Re-recording Mixer / Supervising Sound Editor
The Slaughter Rule (2002)
Cinematography by: Eric Alan Edwards
Edited by: Brent White
Foley Editor
Home Room (2002)
Directed by: Paul F. Ryan
Cinematography by: Rebecca Baehler
Edited by: Paul F. Ryan
Re-recording Mixer / Supervising Sound Editor
Windfall (2002)
Directed by: Gerry Lively
Cinematography by: Andrew Rawson
Adr Recordist / Adr Supervisor / Supervising Sound Editor
Blue Hill Avenue (2001)
Directed by: Craig Ross Jr.
Cinematography by: Carl Bartels
Edited by: Craig Ross Jr.
Re-recording Mixer / Supervising Sound Editor
Dark Asylum (2001)
Directed by: Gregory Gieras
Cinematography by: Viorel Sergovici
Supervising Sound Editor
The Smokers (2000)
Directed by: Kat Slater
Cinematography by: J.B. Letchinger
Edited by: Elias Chalhub
Foley Recordist / Supervising Sound Editor
George Washington (2000)
Directed by: David Gordon Green
Cinematography by: Tim Orr
Foley Artist / Supervising Sound Editor
For the Cause (2000)
Cinematography by: Adolfo Bartoli
Edited by: Irit Raz
Re-recording Mixer / Supervising Sound Editor
Chillicothe (1999)
Directed by: Todd Edwards
Cinematography by: Brett Reynolds
Edited by: Todd Edwards
