Unit Production Manager: Additional Photography
Texas Chainsaw 3D (2013)
Directed by: John Luessenhop
Cinematography by: Anastas N. Michos
Edited by: Randy Bricker
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens
Editing System: Avid Editing System
Co-producer, Unit Production Manager
The Iceman (2012)
Directed by: Ariel Vromen
Cinematography by: Bobby Bukowski
Edited by: Danny Rafic
Cameras: ARRI ALEXA Plus Camera, Canon EOS-7D Camera
First Assistant Director: Second Unit
Drive Angry (2011)
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
Supervising Producer
The Big Bang (2010)
Directed by: Tony Krantz
Cinematography by: Shelly Johnson
Edited by: Fred Raskin
Supervising Producer
Finding Bliss (2009)
Directed by: Julie Davis
Cinematography by: Peter N. Green
Edited by: David Beatty
Producer: Spokane Unit
The Joneses (2009)
Directed by: Derrick Borte
Cinematography by: Yaron Orbach
Edited by: Janice Hampton
First Assistant Director
Give 'em Hell Malone (2009)
Directed by: Russell Mulcahy
Cinematography by: Jonathan Hall
Edited by: Robert A. Ferretti
Cameras: Panavision Cameras
Supervising Producer
A Thousand Years of Good Prayers (2007)
Directed by: Wayne Wang
Cinematography by: Patrick Lindenmaier
Line Producer: Second Unit, Spokane
Lonely Hearts (2006)
Directed by: Todd Robinson
Cinematography by: Peter Levy
Edited by: Kathryn Himoff
Director, Producer
The Choke (2006)
Directed by: Juan Mas
Cinematography by: Douglas Cheney
Edited by: Jason A. Payne
Unit Production Manager
Mozart and the Whale (2005)
Directed by: Petter Næss
Cinematography by: Svein Krøvel
Unit Production Manager
Amy's Orgasm (2001)
Directed by: Julie Davis
Cinematography by: Mark Mervis
Edited by: Julie Davis
