David Allen Cluck

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Mechanic: Resurrection | ShotOnWhat?

First Assistant Director

Mechanic: Resurrection (2016)

Directed by: Dennis Gansel

Cinematography by: Daniel Gottschalk

Edited by: Ueli Christen, Michael J. Duthie, Todd E. Miller

Cameras: Red Epic Camera, Red Scarlet Camera

The Apparition | ShotOnWhat?

First Assistant Director

The Apparition (2012)

Directed by: Todd Lincoln

Cinematography by: Daniel Pearl

Edited by: Jeff Betancourt, Tom Elkins, Harold Parker

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Les infidèles | ShotOnWhat?

First Assistant Director: Las Vegas, Hotel Receptionist - Las Vegas

Les infidèles (2012)

Directed by: Emmanuelle Bercot, Fred Cavayé, Alexandre Courtès, Jean Dujardin, Michel Hazanavicius, Jan Kounen, Eric Lartigau, Gilles Lellouche

Cinematography by: Guillaume Schiffman

Edited by: Anny Danché, Julien Leloup

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

The Artist | ShotOnWhat?

Assistant Director (Finale), First Assistant Director: US

The Artist (2011)

Directed by: Michel Hazanavicius

Cinematography by: Guillaume Schiffman

Edited by: Anne-Sophie Bion, Michel Hazanavicius

Cameras: ARRIFLEX 435 ES Camera

Lenses: Panavision Lightweight Zoom Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

The Merry Gentleman | ShotOnWhat?

First Assistant Director

The Merry Gentleman (2008)

Directed by: Michael Keaton

Cinematography by: Chris Seager

Edited by: Grant Myers, Howard E. Smith

My Sassy Girl | ShotOnWhat?

First Assistant Director

My Sassy Girl (2008)

Directed by: Yann Samuell

Cinematography by: Eric Schmidt

Edited by: Anita Brandt Burgoyne

Tortilla Heaven | ShotOnWhat?

Financial News Reporter, First Assistant Director

Tortilla Heaven (2007)

Directed by: Judy Hecht Dumontet

Cinematography by: Chuy Chávez

Edited by: Rick Fields, Hiroshi Kubota, Vanick Moradian

Big Stan | ShotOnWhat?

First Assistant Director

Big Stan (2007)

Directed by: Rob Schneider

Cinematography by: Victor Hammer

Edited by: Greg Babor, Richard Halsey

Believe in Me | ShotOnWhat?

First Assistant Director

Believe in Me (2006)

Directed by: Robert Collector

Cinematography by: James L. Carter

Edited by: Anthony Redman

Seven Days of Grace | ShotOnWhat?

Producer

Seven Days of Grace (2006)

Directed by: Don E. FauntLeRoy

Cinematography by: Don E. FauntLeRoy

Edited by: Chris Reiss, William Rohn, Mary Ann Skweres

Imaginary Heroes | ShotOnWhat?

First Assistant Director: Los Angeles

Imaginary Heroes (2004)

Directed by: Dan Harris

Cinematography by: Tim Orr

Edited by: James Lyons

Shade | ShotOnWhat?

First Assistant Director

Shade (2003)

Directed by: Damian Nieman

Cinematography by: Anthony B. Richmond

Edited by: Scott Conrad, Glenn Garland

Monster | ShotOnWhat?

First Assistant Director

Monster (2003)

Directed by: Patty Jenkins

Cinematography by: Steven Bernstein

Edited by: Arthur Coburn, Jane Kurson

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Proximity | ShotOnWhat?

First Assistant Director

Proximity (2001)

Directed by: Scott Ziehl

Cinematography by: Adam Kane

Cement | ShotOnWhat?

First Assistant Director

Cement (2000)

Directed by: Adrian Pasdar

Cinematography by: Geary McLeod

Edited by: Jack Haigis

River Made to Drown In | ShotOnWhat?

Executive Producer, First Assistant Director

River Made to Drown In (1997)

Directed by: James Merendino, Alan Smithee

Cinematography by: Thomas L. Callaway

Edited by: Esther P. Russell

Deadfall | ShotOnWhat?

Production Supervisor , Second Unit Director

Deadfall (1993)

Directed by: Christopher Coppola

Cinematography by: Maryse Alberti

Edited by: Phillip Linson

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