Digital Compositor
Ophelia (2018)
Directed by: Claire McCarthy
Cinematography by: Denson Baker
Edited by: Luke Dunkley
Lenses: Angenieux Optimo Anamorphic 44-440 mm A2S T4.5 Lens, Hawk C-Series 100 mm T3.0 Lens, Hawk C-Series 40 mm T2.2 Lens, Hawk C-Series 50 mm T2.2 Lens, Hawk C-Series 75 mm T2.2 Lens, Hawk Super Wide Angle Zoom 10-24 mm T2.5 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Series 180 mm T3.0 Lens, Hawk V-Series 250 mm T3.0 Lens
Digital Compositor
'Suits' Skin in the Game (2017)
Directed by: Silver Tree
Cinematography by: Dan Stoloff
Edited by: Dan Rovetto
Digital Compositor - 1 Episode, 2017
Suits (2011)
Directed by: Michael Smith, Anton Cropper, Christopher Misiano, Kevin Bray, Roger Kumble, Silver Tree, John Scott, Cherie Nowlan, Gabriel Macht, Patrick J. Adams, Félix Enríquez Alcalá, Valerie Weiss, Emile B. Levisetti, Terry McDonough, Jennifer Getzinger, James Whitmore Jr., Kate Dennis, Maurice Marable, Norberto Barba, Dennie Gordon, Tim Matheson, Kate Woods, Adam Davidson, Nicole Kassell, David Platt, Rob Seidenglanz, Gregor Jordan, Chloe Domont, Darren Grant, Julian Holmes, Aaron Korsh, Robert Duncan McNeill
Cinematography by: Dan Stoloff, William Klayer, John B. Aronson, Karl Walter Lindenlaub, Alwyn Kumst, Patrick Cady, Jim Denault, Colin Hoult
Edited by: Dan Rovetto, David Kaldor, Peter Forslund, Brock Hammitt, Angela M. Catanzaro, Sandra McCallig, Daniel Martens, David L. Bertman, Christopher Cibelli, Sara Mineo, Sarah E. Williams, Janet Ashikaga, Robert Ivison, Danielle Wang
Cameras: ARRI ALEXA Camera
