Additional Colorist / Conform Artist
The Edge of Seventeen (2016)
Directed by: Kelly Fremon Craig
Cinematography by: Doug Emmett
Edited by: Tracey Wadmore-Smith
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Colorist
The Bunker (2014)
Directed by: Joe Black
Cinematography by: Franklin Kielar
Cameras: Canon EOS-7D Camera
Colorist: Hollywood DI / On-line Editor
1000 to 1: The Cory Weissman Story (2014)
Directed by: Michael Levine
Cinematography by: James Mathers
Cameras: Red Epic Camera
Lenses: Angenieux Optimo 19.5-94 mm T2.4 Lens, Angenieux Optimo Zoom Lenses, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Zeiss Lenses
Editing System: Final Cut Pro Editing System
Colorist
Few Options (2011)
Directed by: George A. Pappy Jr.
Cinematography by: Peter Hawkins
Edited by: Giacomo Ambrosini
Colorist / On-line Editor, Colorist: Hollywood-DI
And They're Off (2011)
Directed by: Rob Schiller
Cinematography by: Ulf Soderqvist
Edited by: Stephen R. Myers
Cameras: Canon Cameras
Editing System: Final Cut Pro Editing System
Camera Operator: Second Unit
DarkWolf (2003)
Directed by: Richard Friedman
Cinematography by: Stuart Asbjornsen
Edited by: Julie Antepli
Cameras: Panavision Cameras
Assistant Camera
Natalie's Rose (1998)
Directed by: Paul McKellips
Cinematography by: Ed Henry
Edited by: David Massachi
Second Assistant Camera
I Can Make You Love Me (1993)
Directed by: Michael Switzer
Cinematography by: Robert Draper
Edited by: Mark W. Rosenbaum
