Andrew Keck

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If Beale Street Could Talk | ShotOnWhat?

Set Dresser

If Beale Street Could Talk (2018)

Directed by: Barry Jenkins

Cinematography by: James Laxton

Edited by: Joi McMillon, Nat Sanders

Cameras: ARRI ALEXA 65 Camera

Lenses: ARRI Rental Prime DNA Lenses

Hereditary | ShotOnWhat?

Leadman: NY

Hereditary (2018)

Directed by: Ari Aster

Cinematography by: Pawel Pogorzelski

Edited by: Lucian Johnston, Jennifer Lame

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision Primo Primes Spherical Lenses

Meadowland | ShotOnWhat?

Set Dresser

Meadowland (2015)

Directed by: Reed Morano

Cinematography by: Reed Morano

Edited by: Madeleine Gavin

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera

Lenses: Angenieux HR Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses

Cold in July | ShotOnWhat?

Props

Cold in July (2014)

Directed by: Jim Mickle

Cinematography by: Ryan Samul

Edited by: John Paul Horstmann, Jim Mickle

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens

Kelly & Cal | ShotOnWhat?

Additional Leadman

Kelly & Cal (2014)

Directed by: Jen McGowan

Cinematography by: Philip Lott

Edited by: David Hopper

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Hawk V-Series Lenses

Editing System: Final Cut Pro Editing System

We Are What We Are | ShotOnWhat?

Art Intern

We Are What We Are (2013)

Directed by: Jim Mickle

Cinematography by: Ryan Samul

Edited by: Jim Mickle

Cameras: Red Epic Camera

Lenses: Red Pro Prime Lenses, Red Pro Zoom Lenses

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