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Mustang | ShotOnWhat?

Music Coordinator

Mustang (2015)

Directed by: Deniz Gamze Ergüven

Cinematography by: David Chizallet, Ersin Gok

Edited by: Mathilde Van de Moortel

Cameras: ARRI ALEXA Plus Camera

Lenses: Zeiss Super Speed Lenses

The Search | ShotOnWhat?

Music Supervisor

The Search (2014)

Directed by: Michel Hazanavicius

Cinematography by: Guillaume Schiffman

Edited by: Anne-Sophie Bion, Michel Hazanavicius

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

Eden | ShotOnWhat?

Music Supervisor

Eden (2014)

Directed by: Mia Hansen-Løve

Cinematography by: Denis Lenoir

Edited by: Marion Monnier

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses

Le passé | ShotOnWhat?

Music Producer

Le passé (2013)

Directed by: Asghar Farhadi

Cinematography by: Mahmoud Kalari

Edited by: Juliette Welfling

Cameras: ARRI ALEXA Camera

Maniac | ShotOnWhat?

Music Supervisor

Maniac (2012)

Directed by: Franck Khalfoun

Cinematography by: Maxime Alexandre

Edited by: Baxter, Franck Khalfoun

Cameras: Red Epic Camera

Lenses: Zeiss Ultra Prime Lenses

Astérix and Obélix: God Save Britannia | ShotOnWhat?

Temp Score

Astérix and Obélix: God Save Britannia (2012)

Directed by: Laurent Tirard

Cinematography by: Catherine Pujol, Denis Rouden

Edited by: Valérie Deseine

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens

Nous York | ShotOnWhat?

Music Supervisor

Nous York (2012)

Directed by: Hervé Mimran, Géraldine Nakache

Cinematography by: Stéphane Le Parc

Edited by: Benjamin Weill

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

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