Digital Intermediate Colourist: KOJO, Second Unit Director: India, Visual Effects Supervisor
Hotel Mumbai (2018)
Directed by: Anthony Maras
Cinematography by: Nick Remy Matthews
Digital Intermediate Colourist: Kojo, Visual Effects Supervisor
Wolf Creek 2 (2013)
Directed by: Greg McLean
Cinematography by: Toby Oliver
Edited by: Sean Lahiff
Cameras: ARRI ALEXA Plus 4:3 Camera
Digital Intermediate Colorist: Kojo, Visual Effects Supervisor: Kojo
The Lucky One (2012)
Directed by: Scott Hicks
Cinematography by: Alar Kivilo
Edited by: Scott Gray
Colorist, Visual Effects
Crawlspace (2012)
Directed by: Justin Dix
Cinematography by: Simon Ozolins
Edited by: Dave Redman
Cameras: Red One Camera
Digital Intermediate Colorist, Visual Effects Supervisor
Swerve (2011)
Directed by: Craig Lahiff
Cinematography by: David Foreman
Edited by: Sean Lahiff
Cameras: Sony CineAlta F35 Camera
DI Colorist, Visual Effects Supervisor
The Boys Are Back (2009)
Directed by: Scott Hicks
Cinematography by: Greig Fraser
Edited by: Scott Gray
Colourist: Oasis Post / Visual Effects Artist
Closed for Winter (2009)
Directed by: James Bogle
Cinematography by: Kim Batterham
Edited by: Denise Haratzis
Colorist, Visual Effects
No Reservations (2007)
Directed by: Scott Hicks
Cinematography by: Stuart Dryburgh
Edited by: Pip Karmel
Flame Visual Effects / Hi-def Colourist / Senior Colourist / Visual Effects Editor
Wolf Creek (2005)
Directed by: Greg McLean
Cinematography by: Will Gibson
Edited by: Jason Ballantine
Flame Artist: Oasis Post Australia / Title Designer: Oasis Post Australia
Hearts in Atlantis (2001)
Directed by: Scott Hicks
Cinematography by: Piotr Sobocinski
Edited by: Pip Karmel
