Post-production Supervisor
'Young Sheldon' Vanilla Ice Cream, Gentleman Callers, and a Dinette Set (2018)
Directed by: Jaffar Mahmood
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Post-production Supervisor
'Young Sheldon' An Eagle Feather, a String Bean, and an Eskimo (2018)
Directed by: Rebecca Asher
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Post-production Supervisor
'Young Sheldon' Demons, Sunday School, and Prime Numbers (2018)
Directed by: Howard Deutch
Cinematography by: Buzz Feitshans IV
Edited by: Steven Rasch
Post-production Supervisor
'Young Sheldon' A Computer, a Plastic Pony, and a Case of Beer (2018)
Directed by: Richie Keen
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Post-production Supervisor
'Young Sheldon' A Sneeze, Detention, and Sissy Spacek (2018)
Directed by: Howard Deutch
Cinematography by: Buzz Feitshans IV
Edited by: Steven Rasch
Post-production Supervisor
'Young Sheldon' Potato Salad, a Broomstick, and Dad's Whiskey (2018)
Directed by: Howard Deutch
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Post-production Supervisor
'Young Sheldon' Dolomite, Apple Slices, and a Mystery Woman (2018)
Directed by: Mark Cendrowski
Cinematography by: Buzz Feitshans IV
Edited by: Steven Rasch
Post-production Supervisor
'Young Sheldon' Killer Asteroids, Oklahoma, and a Frizzy Hair Machine (2018)
Directed by: Howard Deutch
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Post-production Supervisor
'Young Sheldon' Jiu-Jitsu, Bubble Wrap, and Yoo-Hoo (2018)
Directed by: Jaffar Mahmood
Cinematography by: Buzz Feitshans IV
Edited by: Steven Rasch
Post-production Supervisor
'Young Sheldon' A Mother, a Child, and a Blue Man's Backside (2018)
Directed by: Jaffar Mahmood
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Post-production Supervisor
'Young Sheldon' Gluons, Guacamole, and the Color Purple (2018)
Directed by: Alex Reid
Cinematography by: Buzz Feitshans IV
Post-production Supervisor
'Young Sheldon' A Dog, a Squirrel, and a Fish Named Fish (2018)
Directed by: Jaffar Mahmood
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Post-production Supervisor
'Young Sheldon' Summer Sausage, a Pocket Poncho, and Tony Danza (2018)
Directed by: Alex Reid
Cinematography by: Buzz Feitshans IV
Post-production Supervisor
'Young Sheldon' Spock, Kirk, and Testicular Hernia (2017)
Directed by: Peter Lauer
Cinematography by: Buzz Feitshans IV
Post-production Supervisor
'Young Sheldon' Cape Canaveral, Schrödinger's Cat, and Cyndi Lauper's Hair (2017)
Directed by: Howard Deutch
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Post-production Supervisor
'Young Sheldon' A Brisket, Voodoo, and Cannonball Run (2017)
Directed by: Mark Cendrowski
Cinematography by: Buzz Feitshans IV
Post-production Supervisor
'Young Sheldon' A Patch, a Modem, and a Zantac (2017)
Directed by: Don Scardino
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Post-production Supervisor
'Young Sheldon' A Solar Calculator, a Game Ball, and a Cheerleader's Bosom (2017)
Directed by: Chris Koch
Cinematography by: Buzz Feitshans IV
Post-production Supervisor
'Young Sheldon' A Therapist, a Comic Book, and a Breakfast Sausage (2017)
Directed by: Jaffar Mahmood
Cinematography by: Buzz Feitshans IV
Post-production Supervisor
'Young Sheldon' Poker, Faith and Eggs (2017)
Directed by: Michael Zinberg
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Post-production Supervisor
'Young Sheldon' Rockets, Communists, and the Dewey Decimal System (2017)
Directed by: Michael Zinberg
Cinematography by: Buzz Feitshans IV
Edited by: David Helfand
Post-production Supervisor - 21 Episodes, 2017-2018
Young Sheldon (2017)
Directed by: Jaffar Mahmood, Alex Reid, Chris Koch, Howard Deutch, Mark Cendrowski, Rebecca Asher, Melissa Joan Hart, Michael Zinberg, Jude Weng, Jon Favreau, Peter Lauer, Don Scardino, Jonathan Judge, Richie Keen, Nikki Lorre, Beth McCarthy-Miller, Jeremy Howe, Lea Thompson, Michael Judd
Cameras: ARRI ALEXA Mini Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Style Lenses, Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens
Post-production Supervisor
'Sullivan & Son' You, Me, and Gary (2014)
Directed by: Katy Garretson
Cinematography by: Gary Baum
Edited by: Jonathan Posell
Post-production Supervisor
'Sullivan & Son' A Kiss Is Never Just a Kiss (2014)
Directed by: James Widdoes
Cinematography by: Gary Baum
Edited by: Jonathan Posell
Post-production Supervisor
'Sullivan & Son' The Big O (2014)
Directed by: Phill Lewis
Cinematography by: Gary Baum
Edited by: Jonathan Posell
Post-production Supervisor
'Sullivan & Son' Everybody Loved Frank (2014)
Directed by: Rob Schiller
Cinematography by: Gary Baum
Edited by: Jonathan Posell
Post-production Supervisor
'Sullivan & Son' About a Boy, His Mother, and the Man They're Dating (2014)
Directed by: Phill Lewis
Cinematography by: Gary Baum
Edited by: Jonathan Posell
Post-production Supervisor
'Sullivan & Son' Sexual Healing (2014)
Directed by: Rob Schiller
Cinematography by: Gary Baum
Edited by: Jonathan Posell
Post-production Supervisor
'Sullivan & Son' Luck of the Half Irish (2014)
Directed by: James Widdoes
Cinematography by: Gary Baum
Edited by: Jonathan Posell
Post-production Supervisor
'Sullivan & Son' Lyle & Son (2014)
Directed by: Stephen Prime
Cinematography by: Gary Baum
Edited by: Jonathan Posell
Post-production Supervisor
'Sullivan & Son' Open Mic Night (2014)
Directed by: Rob Schiller
Cinematography by: Gary Baum
Edited by: Jonathan Posell
Post-production Supervisor
'Sullivan & Son' Hank Goes Black (2014)
Directed by: Paul Boese
Cinematography by: Gary Baum
Edited by: Jonathan Posell
Post-production Supervisor
'Sullivan & Son' OwenBrau (2014)
Directed by: Phill Lewis
Cinematography by: Gary Baum
Edited by: Jonathan Posell
Post-production Supervisor
'Sullivan & Son' Monkey Plate (2014)
Directed by: Peter Billingsley
Cinematography by: Gary Baum
Edited by: Jonathan Posell
Post-production Supervisor
'Sullivan & Son' Sullivan's Travels (2014)
Directed by: Rob Long
Cinematography by: Gary Baum
Edited by: Jonathan Posell
Post-production Supervisor
'Sullivan & Son' Reunited (2013)
Directed by: Phill Lewis
Cinematography by: Gary Baum
Edited by: Stephen Prime
Post-production Supervisor
'Sullivan & Son' Over the Edge (2013)
Directed by: Rob Schiller
Cinematography by: Gary Baum
Edited by: Stephen Prime
Post-production Supervisor
'Sullivan & Son' Personal Injury (2013)
Directed by: Peter Billingsley
Cinematography by: Gary Baum
Edited by: Stephen Prime
Post-production Supervisor
'Sullivan & Son' Running Mates (2013)
Directed by: Peter Billingsley
Cinematography by: Gary Baum
Edited by: Patricia Barnett
Post-production Supervisor
'Sullivan & Son' Hank Hallucinates (2013)
Directed by: Rob Schiller
Cinematography by: Gary Baum
Edited by: Stephen Prime
Post-production Supervisor
'Sullivan & Son' Rumspringa (2013)
Directed by: Rob Schiller
Cinematography by: Gary Baum
Edited by: Stephen Prime
Post-production Supervisor
'Sullivan & Son' Winning Is Everything (2013)
Directed by: Mark Cendrowski
Cinematography by: Gary Baum
Edited by: Stephen Prime
Post-production Supervisor
'Sullivan & Son' Ladies Night (2013)
Directed by: Walt Becker
Cinematography by: Gary Baum
Edited by: Stephen Prime
Post-production Supervisor
'Sullivan & Son' Acceptance (2013)
Directed by: Peter Billingsley
Cinematography by: Gary Baum
Edited by: Patricia Barnett
Post-production Supervisor
'Sullivan & Son' The Pilot, One More Time (2013)
Directed by: Peter Billingsley
Cinematography by: Gary Baum
Edited by: Patricia Barnett
Post-production Supervisor - 23 Episodes, 2013-2014
Sullivan & Son (2012)
Directed by: Peter Billingsley, Rob Schiller, James Widdoes, Phill Lewis, Ted Wass, Mark Cendrowski, John Whitesell, Gil Junger, Walt Becker, Paul Boese, Katy Garretson, Rob Long, Stephen Prime
Cameras: Sony CineAlta F23 Camera
