Russian Mafia Thug
Let's Be Cops (2014)
Directed by: Luke Greenfield
Cinematography by: Daryn Okada
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Peacekeeper
The Hunger Games: Catching Fire (2013)
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Edited by: Alan Edward Bell
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Media Photographer
Nashville (2012)
Directed by: Callie Khouri, Stephen Cragg, Michael Lohmann, Mike Listo, Paul McCrane, Julie Hébert, Michael Waxman, Allan Arkush, Dan Lerner, Mario Van Peebles, Eric Stoltz, Jean de Segonzac, Arlene Sanford, Lily Mariye, Mike Binder, Timothy Busfield, R.J. Cutler, Patrick R. Norris, Sanaa Hamri, Bethany Rooney, Eric Close, Ron Underwood, Jan Eliasberg, Jet Wilkinson, Devon Gummersall, Dawn Wilkinson, Jesse Zwick, Michael Engler, Lesli Linka Glatter, Mimi Leder, David Petrarca, Wendey Stanzler, Kevin Dowling, Paul A. Edwards, Michael Grossman, Jonathan Pontell, Kate Woods, Thomas Carter, Joe DeMaio, David Grossman, Elodie Keene, Joanna Kerns, Nelson McCormick, Steve Robin, John Carrafa, Michael Goi, Maggie Greenwald, Ron Lagomarsino, Ellen S. Pressman
Cinematography by: Michael Lohmann, Ross Berryman, Shawn Maurer, Tim Sutherland, Rob Sweeney, Rodney Charters
Edited by: Farrel Levy, Lizzy Calhoun, Larry McGinley, Jamin Bricker, Garret Price, Glenn Farr, J. Kathleen Gibson, Michael Hathaway, Keith Henderson
Cameras: ARRI ALEXA Camera
Media Photographer
'Nashville' Move It on Over (2012)
Directed by: Lesli Linka Glatter
Cinematography by: Ross Berryman
Edited by: Glenn Farr
Jazz Club Patron
Redemption Road (2010)
Directed by: Mario Van Peebles
Cinematography by: Matthew Irving
Edited by: Mark Conte
