Sound Re-recording Mixer / Supervising Sound Editor
Ping Pong Summer (2014)
Directed by: Michael Tully
Cinematography by: Wyatt Garfield
Edited by: Marc Vives
Cameras: ARRIFLEX 416 Camera
Lenses: Zeiss Ultra 16 Lenses
Sound Designer
A River Changes Course (2013)
Directed by: Kalyanee Mam
Cinematography by: Kalyanee Mam
Edited by: Chris Brown
Cameras: Canon EOS-5D Mark II Camera
Sound Editor: Suite 202, The Presidio
Brake (2012)
Directed by: Gabe Torres
Cinematography by: James Mathers
Edited by: Sam Restivo
Sound Fx Recordist
Wreck-It Ralph (2012)
Directed by: Rich Moore
Cinematography by: Rob Dressel
Edited by: Tim Mertens
Sound Editor
Extremely Loud & Incredibly Close (2011)
Directed by: Stephen Daldry
Cinematography by: Chris Menges
Edited by: Claire Simpson
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System, Final Cut Pro Editing System
Apprentice Editor, Sound Effects Recordist
Mission: Impossible - Ghost Protocol (2011)
Directed by: Brad Bird
Cinematography by: Robert Elswit
Edited by: Paul Hirsch
Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Re-recording Mixer
Twixt (2011)
Directed by: Francis Ford Coppola
Cinematography by: Mihai Malaimare Jr.
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
