Music Supervisor / Score Producer
I'm Off Then (2015)
Directed by: Julia von Heinz
Cinematography by: Felix Poplawsky
Lenses: Fujinon Alura Zoom 45-250 mm T2.8 Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens
Music Supervisor
Dresden (2006)
Directed by: Roland Suso Richter
Cinematography by: Holly Fink
Edited by: Bernd Schlegel
Music Producer: Daydream
Schlaraffenland (1999)
Directed by: Friedemann Fromm
Cinematography by: Jo Heim
Edited by: Eva Schnare
Music Supervisor
Run Lola Run (1998)
Directed by: Tom Tykwer
Cinematography by: Frank Griebe
Edited by: Mathilde Bonnefoy
Cameras: Moviecam Compact Camera
Music Consultant
Echte Kerle (1996)
Directed by: Rolf Silber
Cinematography by: Jürgen Herrmann
Edited by: Inez Regnier