Executive Producer
Cold in July (2014)
Directed by: Jim Mickle
Cinematography by: Ryan Samul
Cameras: Red Epic Camera
Officer T.J. Turner, Producer
We Are What We Are (2013)
Directed by: Jim Mickle
Cinematography by: Ryan Samul
Edited by: Jim Mickle
Cameras: Red Epic Camera
Lenses: Red Pro Prime Lenses, Red Pro Zoom Lenses
Executive Producer
Cold Weather (2010)
Directed by: Aaron Katz
Cinematography by: Andrew Reed
Edited by: Aaron Katz
Executive Producer, Sales Agent
Modus Operandi (2009)
Directed by: Frankie Latina
Cinematography by: Mark Escribano
Producer
Lovely, Still (2008)
Directed by: Nicholas Fackler
Cinematography by: Sean Kirby
Edited by: Douglas Crise
Cameras: Moviecam Compact Camera
Lenses: Zeiss Super Speed Lenses
Production Executive
The Woods (2006)
Directed by: Lucky McKee
Cinematography by: John R. Leonetti
Cameras: Panavision Cameras
Production Executive
Capote (2005)
Directed by: Bennett Miller
Cinematography by: Adam Kimmel
Edited by: Christopher Tellefsen
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Production Executive
Hotel Rwanda (2004)
Directed by: Terry George
Cinematography by: Robert Fraisse
Edited by: Naomi Geraghty
Production Executive
Pieces of April (2003)
Directed by: Peter Hedges
Cinematography by: Tami Reiker
Edited by: Mark Livolsi
Cameras: Sony DSR-PD150 Camera
Acquisitions Executive
Osama (2003)
Directed by: Siddiq Barmak
Cinematography by: Ebrahim Ghafori
Edited by: Siddiq Barmak
Acquisitions Executive
Bubba Ho-Tep (2002)
Directed by: Don Coscarelli
Cinematography by: Adam Janeiro
Cameras: ARRIFLEX 535 Camera
Production Executive
24 Hour Party People (2002)
Directed by: Michael Winterbottom
Cinematography by: Robby Müller
Cameras: Sony DSR-PD150 Camera
Acquisitions Executive
The Kid Stays in the Picture (2002)
Cinematography by: John Bailey
Edited by: Jun Diaz
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Acquisitions Executive
Bowling for Columbine (2002)
Directed by: Michael Moore
Edited by: Kurt Engfehr
Acquisitions Executive
Wet Hot American Summer (2001)
Directed by: David Wain
Cinematography by: Ben Weinstein
Edited by: Meg Reticker
Acquisitions Executive
In the Mood for Love (2000)
Directed by: Kar-Wai Wong
Edited by: William Chang
Lenses: Zeiss Lenses