Production Supervisor
'Andi Mack' Buffy in a Bottle (2018)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Edited by: Jane Choi
Production Supervisor
'Andi Mack' A Good Hair Day (2018)
Cinematography by: Matthew Williams
Edited by: Marcelo Sansevieri
Production Supervisor
'Andi Mack' We Were Never (2018)
Directed by: Michelle Manning
Cinematography by: Matthew Williams
Edited by: Jane Choi
Production Supervisor
'Andi Mack' Miniature Gulf (2018)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Edited by: Marcelo Sansevieri
Production Supervisor
'Andi Mack' Cyrus' Bash-Mitzvah! (2018)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Production Supervisor
'Andi Mack' Better to Have Wuvved and Wost (2018)
Directed by: Kenny Ortega
Cinematography by: Matthew Williams
Production Supervisor
'Andi Mack' Perfect Day 2.0 (2018)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Edited by: Jane Choi
Production Supervisor
'Andi Mack' Crime Scene: Andi Shack! (2018)
Directed by: Charles Minsky
Cinematography by: Matthew Williams
Edited by: Jane Choi
Production Supervisor
'Andi Mack' A Walker to Remember (2018)
Directed by: Joe Menendez
Cinematography by: Matthew Williams
Production Supervisor
'Andi Mack' Truth or Truth (2018)
Directed by: Joe Menendez
Cinematography by: Matthew Williams
Production Supervisor
'Andi Mack' Andi's Choice (2018)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Edited by: Jane Choi
Production Supervisor
'Andi Mack' For the Last Time (2018)
Directed by: Michelle Manning
Cinematography by: Matthew Williams
Production Supervisor
'Andi Mack' Keep a Lid on It (2018)
Directed by: Joe Menendez
Cinematography by: Matthew Williams
Production Supervisor
'Andi Mack' We're on Cloud Ten (2018)
Directed by: David Kendall
Cinematography by: Matthew Williams
Production Supervisor
'Andi Mack' Bought, Lost or Stolen (2018)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Edited by: Jane Choi
Production Supervisor
'Andi Mack' The Cake That Takes the Cake (2018)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Edited by: Jane Choi
Production Supervisor
'Andi Mack' You're The One That I Want (2018)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Edited by: Jane Choi
Production Supervisor
'Andi Mack' There's a Mack in the Shack (2018)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Edited by: Marcelo Sansevieri
Production Supervisor
'Andi Mack' Head Over Heels (2018)
Directed by: Joe Menendez
Cinematography by: Matthew Williams
Edited by: Jane Choi
Production Supervisor
'Andi Mack' Dad Influence (2017)
Directed by: Jerry O'Connell
Cinematography by: Matthew Williams
Edited by: Jane Choi
Production Supervisor
'Andi Mack' Home Away from Home (2017)
Directed by: Eyal Gordin
Cinematography by: Matthew Williams
Edited by: Jane Choi
Production Supervisor
'Andi Mack' Terms of Embarrassment (2017)
Directed by: Adam Weissman
Cinematography by: Matthew Williams
Edited by: Marcelo Sansevieri
Production Supervisor
'Andi Mack' She's Turning Into You (2017)
Directed by: Michael Grossman
Cinematography by: Matthew Williams
Edited by: Marcelo Sansevieri
Production Supervisor
'Andi Mack' Were We Ever? (2017)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Edited by: Jane Choi
Production Supervisor
'Andi Mack' 13 (2017)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Production Supervisor
'Andi Mack' She Said, She Said (2017)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Edited by: Marcelo Sansevieri
Production Supervisor
'Andi Mack' It's Not About You (2017)
Directed by: Joe Menendez
Cinematography by: Matthew Williams
Edited by: Jane Choi
Production Supervisor
'Andi Mack' Dancing in the Dark (2017)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Edited by: Marcelo Sansevieri
Production Supervisor
'Andi Mack' Outside the Box (2017)
Directed by: Paul Hoen
Cinematography by: Matthew Williams
Edited by: Marcelo Sansevieri
Production Supervisor
'Andi Mack' Shhh! (2017)
Directed by: David Warren
Cinematography by: Matthew Williams
Edited by: Jane Choi
Production Supervisor
'Andi Mack' Best Surprise Ever (2017)
Directed by: Vanessa Parise
Cinematography by: Matthew Williams
Edited by: Marcelo Sansevieri
Production Supervisor
'Andi Mack' Hey, Who Wants Pizza? (2017)
Directed by: Eyal Gordin
Cinematography by: Matthew Williams
Edited by: Jane Choi
Production Supervisor
'Andi Mack' Friends Like These (2017)
Directed by: Adam Weissman
Cinematography by: Matthew Williams
Edited by: Jane Choi
Production Supervisor
'Andi Mack' Chinese New Year (2017)
Directed by: Eyal Gordin
Cinematography by: Matthew Williams
Edited by: Marcelo Sansevieri
Production Supervisor
'Andi Mack' Mama (2017)
Directed by: Eyal Gordin
Cinematography by: Matthew Williams
Edited by: Marcelo Sansevieri
Production Supervisor
'Andi Mack' The Snorpion (2017)
Directed by: Eyal Gordin
Cinematography by: Matthew Williams
Edited by: Jane Choi
Production Supervisor
'Andi Mack' I Wanna Hold Your Wristband (2017)
Directed by: Joe Menendez
Cinematography by: Matthew Williams
Edited by: Marcelo Sansevieri
Production Supervisor - 37 Episodes, 2017-2018
Andi Mack (2017)
Directed by: Paul Hoen, Joe Menendez, Michelle Manning, Eyal Gordin, Adam Weissman, Michael Grossman, Jerry O'Connell, Vanessa Parise, David Warren, David Kendall, Charles Minsky, Kenny Ortega, Brent Geisler, Leslie Kolins Small, Aprill Winney
Cinematography by: Matthew Williams
Cameras: ARRI ALEXA Mini Camera
Lenses: Cooke 5/i Prime 100mm T1.4 Lens, Cooke 5/i Prime 135mm T1.4 Lens, Cooke 5/i Prime 18mm T1.4 Lens, Cooke 5/i Prime 25mm T1.4 Lens, Cooke 5/i Prime 32mm T1.4 Lens, Cooke 5/i Prime 40mm T1.4 Lens, Cooke 5/i Prime 50mm T1.4 Lens, Cooke 5/i Prime 65mm T1.4 Lens, Cooke 5/i Prime 75mm T1.4 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 135mm T2.0 Lens, Cooke S4/i Prime 18mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 50mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Assistant Travel Coordinator
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Production Coordinator
Waiting for Forever (2010)
Directed by: James Keach
Cinematography by: Matthew Irving
Edited by: Pamela March
Production Coordinator
The American Mall (2008)
Directed by: Shawn Ku
Cinematography by: Matthew Williams
Edited by: Don Brochu
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Additional Assistant Production Coordinator
Bonneville (2006)
Directed by: Christopher N. Rowley
Cinematography by: Jeffrey L. Kimball
