Special Effects Supervisor: Ireland
The Tailor of Panama (2001)
Directed by: John Boorman
Cinematography by: Philippe Rousselot
Edited by: Ron Davis
Cameras: Panavision Panaflex Platinum Camera
Special Effects Supervisor
About Adam (2000)
Directed by: Gerard Stembridge
Cinematography by: Bruno de Keyzer
Edited by: Mary Finlay
Special Effects Supervisor
Animal Farm (1999)
Directed by: John Stephenson
Cinematography by: Mike Brewster
Edited by: Colin Green
Special Effects Supervisor
The Nephew (1998)
Directed by: Eugene Brady
Cinematography by: Jack Conroy
Edited by: J. Patrick Duffner
Special Effects Supervisor
The MatchMaker (1997)
Directed by: Mark Joffe
Cinematography by: Ellery Ryan
Edited by: Paul Martin Smith
Special Effects Supervisor
An Awfully Big Adventure (1995)
Directed by: Mike Newell
Cinematography by: Dick Pope
Edited by: Jon Gregory
Special Effects Senior Technician: Ireland
Far and Away (1992)
Directed by: Ron Howard
Cinematography by: Mikael Salomon
Cameras: ARRIFLEX 765 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision 65mm Prime Lenses, Zeiss Lenses
Special Effects Supervisor
The Commitments (1991)
Directed by: Alan Parker
Cinematography by: Gale Tattersall
Edited by: Gerry Hambling
Cameras: Panavision Cameras
Special Effects Technician
Taffin (1988)
Directed by: Francis Megahy
Cinematography by: Paul Beeson
Edited by: Peter Tanner
Special Effects Supervisor: Second Unit
The Dead (1987)
Directed by: John Huston
Cinematography by: Fred Murphy
Edited by: Roberto Silvi
Cameras: Moviecam SuperAmerica Camera
Lenses: Zeiss Lenses
Special Effects Technician
The Lonely Passion of Judith Hearne (1987)
Directed by: Jack Clayton
Cinematography by: Peter Hannan
Edited by: Terry Rawlings