Executive Producer
'Stranger Things' Chapter One: Suzie, Do You Copy? (2019)
Executive Producer - 8 Episodes, 2016, Executive Producer - 9 Episodes, 2016-2019
Stranger Things (2016)
Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg
Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco
Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Avid Editing System
Executive Producer
'Stranger Things' Chapter One: The Vanishing of Will Byers (2016)
Cinematography by: Tim Ives
Edited by: Dean Zimmerman
Executive Producer
'Stranger Things' Chapter Two: The Weirdo on Maple Street (2016)
Cinematography by: Tim Ives
Edited by: Kevin D. Ross
Executive Producer
'Stranger Things' Chapter Three: Holly, Jolly (2016)
Directed by: Shawn Levy
Cinematography by: Tod Campbell
Edited by: Kevin D. Ross
Executive Producer
'Stranger Things' Chapter Four: The Body (2016)
Directed by: Shawn Levy
Cinematography by: Tod Campbell
Edited by: Dean Zimmerman
Executive Producer
'Stranger Things' Chapter Five: The Flea and the Acrobat (2016)
Cinematography by: Tim Ives
Edited by: Kevin D. Ross
Executive Producer
'Stranger Things' Chapter Six: The Monster (2016)
Cinematography by: Tim Ives
Edited by: Dean Zimmerman
Executive Producer
'Stranger Things' Chapter Seven: The Bathtub (2016)
Cinematography by: Tim Ives
Edited by: Kevin D. Ross
Executive Producer
'Stranger Things' Chapter Eight: The Upside Down (2016)
Cinematography by: Tim Ives
Edited by: Dean Zimmerman
Screenplay
The November Man (2014)
Directed by: Roger Donaldson
Cinematography by: Romain Lacourbas
Edited by: John Gilbert
Cameras: ARRI ALEXA Plus Camera
Lenses: Hawk V-Lite Vintage´74 Lens
Screenplay
Oblivion (2013)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Richard Francis-Bruce
Cameras: Red Epic Camera, Sony CineAlta F65 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Avid Editing System
Written By
Trespass (2011)
Directed by: Joel Schumacher
Cinematography by: Andrzej Bartkowiak
Edited by: Bill Pankow
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
