Michelle Reiner

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How the Grinch Stole Christmas | ShotOnWhat?

Visual Effects Coordinator

How the Grinch Stole Christmas (2000)

Directed by: Ron Howard

Cinematography by: Donald Peterman

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision SL10 10 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL35-CF 35 mm T1.8 Lens

Godzilla | ShotOnWhat?

Digital Imaging: Digiscope

Godzilla (1998)

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: Peter Amundson, David Siegel

Blade | ShotOnWhat?

Digital Production Coordinator: Digiscope, Production Coordinator

Blade (1998)

Directed by: Stephen Norrington

Cinematography by: Theo van de Sande

Edited by: Paul Rubell

Cameras: Moviecam Compact Camera

Lenses: Clairmont Anamorphic Lenses, Hawk C-Series 100 mm T3.0 Lens

Alien: Resurrection | ShotOnWhat?

Digital Imaging

Alien Resurrection (1997)

Directed by: Jean-Pierre Jeunet

Cinematography by: Darius Khondji

Edited by: Hervé Schneid

Cameras: Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Most Wanted | ShotOnWhat?

Digital Imaging

Most Wanted (1997)

Directed by: David Hogan

Cinematography by: Marc Reshovsky

Edited by: Michael J. Duthie, Mark Helfrich

Cameras: Panavision Cameras

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