Special Photographic Effects
The Disorderly Orderly (1964)
Directed by: Frank Tashlin
Cinematography by: W. Wallace Kelley
Special Photographic Effects
Breakfast at Tiffany's (1961)
Directed by: Blake Edwards
Edited by: Howard A. Smith
Special Photographic Effects
One-Eyed Jacks (1961)
Directed by: Marlon Brando
Cinematography by: Charles Lang
Edited by: Archie Marshek
Cameras: VistaVision Cameras
Special Photographic Effects
Too Late Blues (1961)
Directed by: John Cassavetes
Cinematography by: Lionel Lindon
Edited by: Frank Bracht
Special Photographic Effects
Cinderfella (1960)
Directed by: Frank Tashlin
Cinematography by: Haskell B. Boggs
Edited by: Arthur P. Schmidt
Special Photographic Effects
Don't Give Up the Ship (1959)
Directed by: Norman Taurog
Cinematography by: Haskell B. Boggs
Special Photographic Effects
The Buccaneer (1958)
Directed by: Anthony Quinn
Cinematography by: Loyal Griggs
Edited by: Archie Marshek
Cameras: VistaVision Cameras
Special Photographic Effects
The Geisha Boy (1958)
Directed by: Frank Tashlin
Cinematography by: Haskell B. Boggs
Edited by: Alma Macrorie
Second Unit Director: Back Projection , Special Photographic Effects
Vertigo (1958)
Directed by: Alfred Hitchcock
Cinematography by: Robert Burks
Edited by: George Tomasini
Cameras: Mitchell VistaVision Camera
Special Photographic Effects
Funny Face (1957)
Directed by: Stanley Donen
Cinematography by: Ray June
Edited by: Frank Bracht
Cameras: VistaVision Cameras
Special Photographic Effects
The Ten Commandments (1956)
Directed by: Cecil B. DeMille
Cinematography by: Loyal Griggs
Edited by: Anne Bauchens
Special Photographic Effects
The Man Who Knew Too Much (1956)
Directed by: Alfred Hitchcock
Cinematography by: Robert Burks
Edited by: George Tomasini
Cameras: VistaVision Cameras
Special Photographic Effects
To Catch a Thief (1955)
Directed by: Alfred Hitchcock
Cinematography by: Robert Burks
Edited by: George Tomasini
Cameras: VistaVision Cameras
Special Photographic Effects
The Desperate Hours (1955)
Directed by: William Wyler
Cinematography by: Lee Garmes
Edited by: Robert Swink
Cameras: VistaVision Cameras
Special Photographic Effects
The Trouble with Harry (1955)
Directed by: Alfred Hitchcock
Cinematography by: Robert Burks
Edited by: Alma Macrorie
Cameras: VistaVision Cameras
Special Photographic Effects
Rear Window (1954)
Directed by: Alfred Hitchcock
Cinematography by: Robert Burks
Edited by: George Tomasini
Cameras: Mitchell BNC Camera
Special Photographic Effects
Sabrina (1954)
Directed by: Billy Wilder
Cinematography by: Charles Lang
Edited by: Arthur P. Schmidt
Special Photographic Effects
Joan of Arc (1948)
Directed by: Victor Fleming
Edited by: Frank Sullivan
Cameras: Technicolor 3-Strip Camera
Special Effects
The Secret Life of Walter Mitty (1947)
Directed by: Norman Z. McLeod
Cinematography by: Lee Garmes
Edited by: Monica Collingwood
Special Effects Director
The Best Years of Our Lives (1946)
Directed by: William Wyler
Cinematography by: Gregg Toland
Edited by: Daniel Mandell
Special Photography
Phantom of the Opera (1943)
Directed by: Arthur Lubin
Edited by: Russell F. Schoengarth
Special Photography
Shadow of a Doubt (1943)
Directed by: Alfred Hitchcock
Cinematography by: Joseph A. Valentine
Edited by: Milton Carruth
Second Unit Director: New York , Special Photographic Effects
Saboteur (1942)
Directed by: Alfred Hitchcock
Cinematography by: Joseph A. Valentine
