Process Photography
The Family Jewels (1965)
Directed by: Jerry Lewis
Cinematography by: W. Wallace Kelley
Edited by: John Woodcock
Cameras: Mitchell BNC Camera
Process Photography
The Patsy (1964)
Directed by: Jerry Lewis
Cinematography by: W. Wallace Kelley
Edited by: John Woodcock
Process Photography
The Disorderly Orderly (1964)
Directed by: Frank Tashlin
Cinematography by: W. Wallace Kelley
Process Photography
Who's Minding the Store? (1963)
Directed by: Frank Tashlin
Cinematography by: W. Wallace Kelley
Edited by: John Woodcock
Process Photographer
It's a Mad Mad Mad Mad World (1963)
Directed by: Stanley Kramer
Cinematography by: Ernest Laszlo
Cameras: Ultra Panavision 70 Camera
Process Photography
One-Eyed Jacks (1961)
Directed by: Marlon Brando
Cinematography by: Charles Lang
Edited by: Archie Marshek
Cameras: VistaVision Cameras
Process Photography
Breakfast at Tiffany's (1961)
Directed by: Blake Edwards
Edited by: Howard A. Smith
Process Photography
Cinderfella (1960)
Directed by: Frank Tashlin
Cinematography by: Haskell B. Boggs
Edited by: Arthur P. Schmidt
Process Photography
Don't Give Up the Ship (1959)
Directed by: Norman Taurog
Cinematography by: Haskell B. Boggs
Process Photography
Vertigo (1958)
Directed by: Alfred Hitchcock
Cinematography by: Robert Burks
Edited by: George Tomasini
Cameras: Mitchell VistaVision Camera
Process Photography
The Buccaneer (1958)
Directed by: Anthony Quinn
Cinematography by: Loyal Griggs
Edited by: Archie Marshek
Cameras: VistaVision Cameras
Process Photography
The Geisha Boy (1958)
Directed by: Frank Tashlin
Cinematography by: Haskell B. Boggs
Edited by: Alma Macrorie
Process Photography
Funny Face (1957)
Directed by: Stanley Donen
Cinematography by: Ray June
Edited by: Frank Bracht
Cameras: VistaVision Cameras
Process Photography
The Man Who Knew Too Much (1956)
Directed by: Alfred Hitchcock
Cinematography by: Robert Burks
Edited by: George Tomasini
Cameras: VistaVision Cameras
Process Photography
The Ten Commandments (1956)
Directed by: Cecil B. DeMille
Cinematography by: Loyal Griggs
Edited by: Anne Bauchens
Process Photography
The Desperate Hours (1955)
Directed by: William Wyler
Cinematography by: Lee Garmes
Edited by: Robert Swink
Cameras: VistaVision Cameras
Process Photography
To Catch a Thief (1955)
Directed by: Alfred Hitchcock
Cinematography by: Robert Burks
Edited by: George Tomasini
Cameras: VistaVision Cameras
Process Photography
Sabrina (1954)
Directed by: Billy Wilder
Cinematography by: Charles Lang
Edited by: Arthur P. Schmidt
Process Photography
Shane (1953)
Directed by: George Stevens
Cinematography by: Loyal Griggs
Cameras: Technicolor 3-Strip Camera
Process Photography
The War of the Worlds (1953)
Directed by: Byron Haskin
Cinematography by: George Barnes
Edited by: Everett Douglas
Process Photography
A Place in the Sun (1951)
Directed by: George Stevens
Cinematography by: William C. Mellor
Edited by: William Hornbeck
Process Photography
Sunset Blvd. (1950)
Directed by: Billy Wilder
Cinematography by: John F. Seitz
Edited by: Arthur P. Schmidt
Cameras: Mitchell BNC Camera
Process Photography
Sorry, Wrong Number (1948)
Directed by: Anatole Litvak
Cinematography by: Sol Polito
Process Photography
The Lost Weekend (1945)
Directed by: Billy Wilder
Cinematography by: John F. Seitz
Process Photography
Double Indemnity (1944)
Directed by: Billy Wilder
Cinematography by: John F. Seitz
Cameras: Mitchell BNC Camera
